In our last episode of season 2, Erin and Anne-Marie take a closer look at THE END of Thieves’ Gambit, specifically, how Kayvion Lewis creates a satisfying ending for this novel and at the same time sets up the sequel.

We’re gathering the people with essential skills, making a plan, anticipating obstacles, doing reconna issance, and pulling off a heist. Erin and Anne-Marie break down the elements needed for a heist and analyze how Kayvion Lewis designed and executed the (writing of the) sarcophagus heist in Thieves’ Gambit.

Pacing scenes and chapters in an action/thriller might seem to be all about how to move through the story as fast as possible, but in this episode Anne-Marie and Erin focus on controlling the pace, why you want slower moments, and how to move fast without sacrificing clarity or emotional resonance.

The pacing of a story determines how a story feels to read, and writers get to control that pacing by placing story elements at certain moments in the book and by how they move from chapter to chapter or scene to scene. In this episode, Anne-Marie and Erin explore how Kayvion Lewis keeps the pace fast and the tension high.

Action scenes in a thriller novel need to be fast-paced, but fast-paced means more than lots of really quick actions in a row. Erin and Anne-Marie break down three different kinds of action scenes in Thieves’ Gambit to find tips and tricks for hitting the perfect sweet spot of pacing.

Like character arcs and story arcs, relationship arcs can span the course of the novel, explore themes, reveal and challenge the main character, and complicate plot lines. In Episode 7, Erin and Anne-Marie examine Ross’s friendship arc with Noelia and her romance arc with Devroe.

Introducing a lot of characters can lead to a muddle in readers’’ minds. Erin and Anne-Marie explore why you may want to use a big cast, identify pitfalls to avoid, and break down how Kayvion Lewis introduces the nine teen thieves in Thieves’ Gambit in a way that draws readers in rather than confuses them.

In Episode 5, Erin and Anne-Marie examine the complicated family relationships in Thieves’ Gambit and explore why to use them, how to introduce them for maximum effect, and how to leverage those relationships to create more tension without taking away the main character’s agency.

Erin and Anne-Marie dive into Kayvion Lewis’s YA thriller, Thieves’ Gambit, and dig into why it the main character Ross’s shifting desire line works, as she goes from wanting to making friends at a summer gymnastics camp to winning an international thieving competition.

The opening of a book establishes The World As It Is, and Kayvion Lewis’s Thieves’ Gambit is no exception. Lewis masterfully establishes Ross Quest’s world of international thievery and how she relates to it, including her desire to escape into something more normal.

Erin and Anne-Marie explore the different strategies Kayvion Lewis uses to explore the theme of TRUST in her YA thriller Thieves’ Gambit through characters, situations, and plot twists that challenge the main character Ross’s view of the world.

Introducing Season 2! We’re taking a deep dive into Kavyion Lewis’s YA thriller THIEVES’ GAMBIT. Find out why we chose it and what we have in store for this season.

In this second part of our interview with Martine Leavitt, the author of Buffalo Flats, she tells us about the mountains that inspire her, how to put emotion on the page, what the heck an objective correlative is, and much more, including what she’s working on now.

In this episode, we interview Martine Leavitt herself! She talks to us about her inspiration for Buffalo Flats, the painful process of writing it, and her secret to sticking with writing when it’s hard.

Find out what’s next for the KidLit Craft podcast, and exciting upcoming offerings from KidLit Craft.

Throughout Buffalo Flats, Martine Leavitt uses rich language and evocative metaphors. We break down how and why she uses specific language and metaphors, and to what effect. We also talk about how to decide what language and metaphors to use in your own work.

In Buffalo Flats, Rebecca belongs to a religious community that exists within the larger community in the Northwest Territories of Canada. In this episode we look at how Martine makes this community recognizable to those in it and accessible to those not, and we share our personal experiences reading about the community. The craft techniques we discuss apply not just to religious communities, but to any smaller group within a larger culture.

We explore how Martine incorporates feminism into historical fiction in a way that respects history and characters, by finding friction points between the character’s desires and their experience of the world. Also, Erin emotes about corsets.

At risk of making Martine’s humor less funny, we take apart the humor in Buffalo Flats, from set-ups and punchlines to adding a funny twist, from individual sentences to full subplots.

In this episode, we’re talking ROMANCE! We look at how Martine Leavitt sets up the balance between physical intimacy and emotional intimacy, uses contrast in secondary romances, and manages a perfectly balanced love triangle for the main character, Rebecca, in her YA novel Buffalo Flats. We also talk about how to write a perfect romantic kiss.