Season 2 (episodes 38-now): Brian Scherschel chronologically, critically and academically examines a Godzilla/kaiju/tokusatsu film in each episode. Brian relates the movies to pertinent issues about Japan. Kaijuvision Radio is dedicated to discovering the Japanese National Spirit in Toho tokusatsu films.
Kaijuvision Radio’s 3-Part Format:
Part 1: A short description (not a summary) of the movie. It’s an analysis tailored to kaiju and tokusatsu movies, to arm the listener with the facts. At last, a way to compare these movies to each other.
Part 2: With the facts out of the way, I will analyze and give my opinions on the film.
Part 3: A brand new, one-of-a-kind fusion of international affairs and movie analysis. Japan-related topic(s) either brought up by the movie, or going on at the time the movie was released. Topics are historical, political, economic, or cultural.
Season 1 (episodes 1-37): It's impossible to talk about Godzilla without talking about Japan, and Japan is just as unique as Godzilla, so we’ll be discussing its history and culture and how it influenced the Godzilla film franchise, which is a great way to find out more about Japan. Godzilla is the most complex and multifaceted kaiju ever created, and it means so many things to many people. Not only is Godzilla a powerful symbol of nuclear weapons and disasters, but most of these movies are an expression of the Japanese national spirit. Brian and co-host Nathan Marchand take a fascinating journey reassessing the Godzilla franchise, and since these movies are often anchored in the time they were released, they tell you what these movies are communicating about Japan.
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Season 2 (episodes 38-now): Brian Scherschel chronologically, critically and academically examines a Godzilla/kaiju/tokusatsu film in each episode. Brian relates the movies to pertinent issues about Japan. Kaijuvision Radio is dedicated to discovering the Japanese National Spirit in Toho tokusatsu films.
Kaijuvision Radio’s 3-Part Format:
Part 1: A short description (not a summary) of the movie. It’s an analysis tailored to kaiju and tokusatsu movies, to arm the listener with the facts. At last, a way to compare these movies to each other.
Part 2: With the facts out of the way, I will analyze and give my opinions on the film.
Part 3: A brand new, one-of-a-kind fusion of international affairs and movie analysis. Japan-related topic(s) either brought up by the movie, or going on at the time the movie was released. Topics are historical, political, economic, or cultural.
Season 1 (episodes 1-37): It's impossible to talk about Godzilla without talking about Japan, and Japan is just as unique as Godzilla, so we’ll be discussing its history and culture and how it influenced the Godzilla film franchise, which is a great way to find out more about Japan. Godzilla is the most complex and multifaceted kaiju ever created, and it means so many things to many people. Not only is Godzilla a powerful symbol of nuclear weapons and disasters, but most of these movies are an expression of the Japanese national spirit. Brian and co-host Nathan Marchand take a fascinating journey reassessing the Godzilla franchise, and since these movies are often anchored in the time they were released, they tell you what these movies are communicating about Japan.
Episode 51: Godzilla: King of the Monsters (US) (2019) (Eco-terrorism/Climate Change)
Kaijuvision Radio
1 hour 40 minutes 15 seconds
6 years ago
Episode 51: Godzilla: King of the Monsters (US) (2019) (Eco-terrorism/Climate Change)
A lot of critics know and understand the basics of the 1954 Godzilla, but they have less of an understanding of what makes a great Godzilla sequel. This movie has by far the most Toho magic of any non-Japanese Godzilla movie to date. I address the box office, the critical reviews, and how the way this film was edited is a big reason for the film's underperformance. The related topic for this episode is eco-terrorism and climate change.
This episode is dedicated to director Michael Dougherty.
I'd like to send a shout-out to our patrons Kyoei Toshi, Sean Stiff, William Mize, and Eric White. Thank you for your support! I really appreciate it. For the video version of this podcast, check out our YouTube channel.
Introduction: 0:00 – 2:16
Part 1 – Film Description: 2:16 – 12:14
Part 2 – Opinion and Analysis: 12:14 – 1:16:53
Part 3 – Related Topic: 1:16:53 – 1:38:49
Closing: 1:38:49 – End
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Host/Editor/Director/Scenic Videos: Brian Scherschel
Video Location: Lincoln Bank Tower (left), Allen County Courthouse (center), and The PNC Building (right), Fort Wayne, Indiana
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Kaijuvision Radio
Season 2 (episodes 38-now): Brian Scherschel chronologically, critically and academically examines a Godzilla/kaiju/tokusatsu film in each episode. Brian relates the movies to pertinent issues about Japan. Kaijuvision Radio is dedicated to discovering the Japanese National Spirit in Toho tokusatsu films.
Kaijuvision Radio’s 3-Part Format:
Part 1: A short description (not a summary) of the movie. It’s an analysis tailored to kaiju and tokusatsu movies, to arm the listener with the facts. At last, a way to compare these movies to each other.
Part 2: With the facts out of the way, I will analyze and give my opinions on the film.
Part 3: A brand new, one-of-a-kind fusion of international affairs and movie analysis. Japan-related topic(s) either brought up by the movie, or going on at the time the movie was released. Topics are historical, political, economic, or cultural.
Season 1 (episodes 1-37): It's impossible to talk about Godzilla without talking about Japan, and Japan is just as unique as Godzilla, so we’ll be discussing its history and culture and how it influenced the Godzilla film franchise, which is a great way to find out more about Japan. Godzilla is the most complex and multifaceted kaiju ever created, and it means so many things to many people. Not only is Godzilla a powerful symbol of nuclear weapons and disasters, but most of these movies are an expression of the Japanese national spirit. Brian and co-host Nathan Marchand take a fascinating journey reassessing the Godzilla franchise, and since these movies are often anchored in the time they were released, they tell you what these movies are communicating about Japan.
