A single question can power a lifetime of work: Why do I make art? Ty and Nathan sit with Ursula Von Rydingsvard’s stark and generous answers—woven from anxiety, labor, faith in process, and the stubborn hope that making can heal—and use it as a mirror for our own practices. From the first splinter to the last pass of the saw, we look at how big work invites big stakes, why the best days feel like discovery, and how the studio becomes a container strong enough to hold whatever we bring into i...
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A single question can power a lifetime of work: Why do I make art? Ty and Nathan sit with Ursula Von Rydingsvard’s stark and generous answers—woven from anxiety, labor, faith in process, and the stubborn hope that making can heal—and use it as a mirror for our own practices. From the first splinter to the last pass of the saw, we look at how big work invites big stakes, why the best days feel like discovery, and how the studio becomes a container strong enough to hold whatever we bring into i...
Make More, Fear Less: on Critique, Confidence, and Choosing Meaning. A Candid Studio Conversation at Poolhaus, Day 2.
Just Make Art
51 minutes
1 month ago
Make More, Fear Less: on Critique, Confidence, and Choosing Meaning. A Candid Studio Conversation at Poolhaus, Day 2.
Coffee, rain, and a table full of half-built ideas set the stage for a candid deep dive into how artists actually move work forward in our second conversation at Poolhaus studio. We trade the comfort of endless polishing for a stubborn rule—get to the next step sooner—and unpack how that one shift stops overworking, preserves strong moments, and helps a real body of work take shape. Along the way, we turn useful decisions into mantras, write them on the wall, and repeat them when stamina dips...
Just Make Art
A single question can power a lifetime of work: Why do I make art? Ty and Nathan sit with Ursula Von Rydingsvard’s stark and generous answers—woven from anxiety, labor, faith in process, and the stubborn hope that making can heal—and use it as a mirror for our own practices. From the first splinter to the last pass of the saw, we look at how big work invites big stakes, why the best days feel like discovery, and how the studio becomes a container strong enough to hold whatever we bring into i...
