Jo's Boys is a podcast for little women, little men, and everyone in between! We'll be reading through "Little Women" chapter by chapter, pulling out rainbow threads as we go. Our guests include best-selling authors, legendary activists, and veteran Alcott scholars. Your host is Peyton Thomas, author of the award-winning novel "Both Sides Now," whose non-fiction has appeared in the New York Times and Vanity Fair.
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Jo's Boys is a podcast for little women, little men, and everyone in between! We'll be reading through "Little Women" chapter by chapter, pulling out rainbow threads as we go. Our guests include best-selling authors, legendary activists, and veteran Alcott scholars. Your host is Peyton Thomas, author of the award-winning novel "Both Sides Now," whose non-fiction has appeared in the New York Times and Vanity Fair.
We're joined today by Claire Forrest, the award-winning author of Where You See Yourself, to chat all about the two youngest members of the March family -- well, the Brooke family. It's perhaps the most heterosexual chapter of this book to date, but we soldier on, and we also chat about Claire's outstanding debut novel and her publishing journey as a woman with cerebral palsy.
Our cover art is by Mattie Lubchansky. It interpolates the cover art for Bethany C. Morrow's book "So Many Beginnings: A Little Women Remix," with permission from Macmillan Children's Publishing Group. It also interpolates the cover art for Hena Khan’s book “More to the Story,” with permission from Simon & Schuster. Our theme music is Mozart's Piano Sonata No. 16 in C Major. This episode was edited by Antoinette Smith.
Jo's Boys: A Little Women Podcast
Jo's Boys is a podcast for little women, little men, and everyone in between! We'll be reading through "Little Women" chapter by chapter, pulling out rainbow threads as we go. Our guests include best-selling authors, legendary activists, and veteran Alcott scholars. Your host is Peyton Thomas, author of the award-winning novel "Both Sides Now," whose non-fiction has appeared in the New York Times and Vanity Fair.
