This is my entry for the Beat Collective Challenge for Sept 2025, in which participants are provided with two or three samples and invited to use them in any way they wish in an original track.
The theme for September is Sports Sounds and four samples were provided:-
Sample 1 clapping
Sample 2 crowd
Sample 3 football horn
Sample 4 whistle
I used the samples as follows.
Sample 1 clapping - I turned this into a single clap sound and used it on the 2nd & 4th beats of the bar throughout the track.
Sample 2 crowd - I used this without any processing at three points in the track in the breakdowns and I chopped it and used it as a rhythmic effect from 2 mins up to 3:30 mins.
Sample 3 football horn - I processed this by applying Saturation, Delay and a Pitch Corrector (added fifth) to create a sort of reverse synth, then layered it one on the other.
Sample 4 whistle - I used as is without processing at the end of the second and third breakdowns. Then I used a Pitched Down Daisy Spiral effect to create the scream sound here and there in the track.
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This is my entry for the Beat Collective Challenge for Sept 2025, in which participants are provided with two or three samples and invited to use them in any way they wish in an original track.
The theme for September is Sports Sounds and four samples were provided:-
Sample 1 clapping
Sample 2 crowd
Sample 3 football horn
Sample 4 whistle
I used the samples as follows.
Sample 1 clapping - I turned this into a single clap sound and used it on the 2nd & 4th beats of the bar throughout the track.
Sample 2 crowd - I used this without any processing at three points in the track in the breakdowns and I chopped it and used it as a rhythmic effect from 2 mins up to 3:30 mins.
Sample 3 football horn - I processed this by applying Saturation, Delay and a Pitch Corrector (added fifth) to create a sort of reverse synth, then layered it one on the other.
Sample 4 whistle - I used as is without processing at the end of the second and third breakdowns. Then I used a Pitched Down Daisy Spiral effect to create the scream sound here and there in the track.
This is my entry for the Beat Collective Challenge of 23rd March 2025 in which participants are given two or three samples with the challenge of including them in an original track.
This month's samples provided by Gary Frank (aka Gairaigo)
Beats - A collection of percussion sounds - starts with a showcase of each sound, then a few bars of them arranged in a pattern. Some of these sounds are cut from DSI Mopho samples. Hi hat sample based on a noise patch from ANA 2 VST synth. Kick is a couple of sounds layered together.
Reverse Pad - started as a standard Pad in ANA 2, added some mid range saturation and distortion, Soundtoys Crystalliser “great doubler” effect, and Ableton Echo (ethereal canyon) for flavour.
I used the Reverse Pad in the intro as part of the build up and in both breakdowns.
I used the percussion sounds in the second breakdown to add tension, automating the EQ frequency and applying Saturation & Overdrive plus a little Reverb. I also put each percussion sound into a drum rack and then used them as ear candy throughout the track.
Jacki-E and Draw The Line Radio Show
This is my entry for the Beat Collective Challenge for Sept 2025, in which participants are provided with two or three samples and invited to use them in any way they wish in an original track.
The theme for September is Sports Sounds and four samples were provided:-
Sample 1 clapping
Sample 2 crowd
Sample 3 football horn
Sample 4 whistle
I used the samples as follows.
Sample 1 clapping - I turned this into a single clap sound and used it on the 2nd & 4th beats of the bar throughout the track.
Sample 2 crowd - I used this without any processing at three points in the track in the breakdowns and I chopped it and used it as a rhythmic effect from 2 mins up to 3:30 mins.
Sample 3 football horn - I processed this by applying Saturation, Delay and a Pitch Corrector (added fifth) to create a sort of reverse synth, then layered it one on the other.
Sample 4 whistle - I used as is without processing at the end of the second and third breakdowns. Then I used a Pitched Down Daisy Spiral effect to create the scream sound here and there in the track.
