Prof. Warner and Prof. Ballaster begin their conversation with Antoine Galland's translation into French from Arabic of the 'Alf Layla wa-Layla' as the first two volumes of 'Les Mille et Une Nuit' in the first decade of eighteenth century. The twelve-volume text that became known in the English-speaking world as 'The Arabian Nights Entertainments' was woven together from manuscript and verbal sources as well as added to with apparently invented tales by Antoine Galland himself. Warner and Ballaster open their discussion by considering whether Galland's tales provide a better window on the French salon culture of the early eighteenth century than Islamic empire medieval or modern. Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/
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Prof. Warner and Prof. Ballaster begin their conversation with Antoine Galland's translation into French from Arabic of the 'Alf Layla wa-Layla' as the first two volumes of 'Les Mille et Une Nuit' in the first decade of eighteenth century. The twelve-volume text that became known in the English-speaking world as 'The Arabian Nights Entertainments' was woven together from manuscript and verbal sources as well as added to with apparently invented tales by Antoine Galland himself. Warner and Ballaster open their discussion by considering whether Galland's tales provide a better window on the French salon culture of the early eighteenth century than Islamic empire medieval or modern. Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/
Professor Peter McDonald draws on the work of Indian novelist and literary critic, Amit Chaudhuri, to open up new ways of how we can think about D.H. Lawrence, not only as a Modernist, but also as a Post/Colonial writer. Peter then turns to Lawrence's short story, 'The Woman Who Rode Away' (1924), set in rural Mexico, in order to demonstrate how his literature runs against the grain of distinctly Western modes of thought. Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/
Interviews on Great Writers
Prof. Warner and Prof. Ballaster begin their conversation with Antoine Galland's translation into French from Arabic of the 'Alf Layla wa-Layla' as the first two volumes of 'Les Mille et Une Nuit' in the first decade of eighteenth century. The twelve-volume text that became known in the English-speaking world as 'The Arabian Nights Entertainments' was woven together from manuscript and verbal sources as well as added to with apparently invented tales by Antoine Galland himself. Warner and Ballaster open their discussion by considering whether Galland's tales provide a better window on the French salon culture of the early eighteenth century than Islamic empire medieval or modern. Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/
