This panel discussion was recorded following a screening of the Khaled Hourani's film Picasso in Palestine (2012). Hear Miriam Deprez (photojournalist and PhD candidate, Griffith University), Dr Jamal Nabulsi (diaspora Palestinian writer and researcher), and Remah Naji (Member, Justice for Palestine, Magan-djin) in conversation, facilitated by Dr Samid Suliman (Senior Lecturer, Migration and Security at Griffith University).
This discussion contextualises the film against the decades-long history of the occupation of Palestine, reflects on the im/mobilities that it documents, and instigates an important discussion of the role and duty of the arts to act (transnationally and transversally) against dispossession, occupation, state violence, and genocide.
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This panel discussion was recorded following a screening of the Khaled Hourani's film Picasso in Palestine (2012). Hear Miriam Deprez (photojournalist and PhD candidate, Griffith University), Dr Jamal Nabulsi (diaspora Palestinian writer and researcher), and Remah Naji (Member, Justice for Palestine, Magan-djin) in conversation, facilitated by Dr Samid Suliman (Senior Lecturer, Migration and Security at Griffith University).
This discussion contextualises the film against the decades-long history of the occupation of Palestine, reflects on the im/mobilities that it documents, and instigates an important discussion of the role and duty of the arts to act (transnationally and transversally) against dispossession, occupation, state violence, and genocide.
Audio Described Tour | You'll Know It When You Feel It
Institute of Modern Art
16 minutes 11 seconds
2 years ago
Audio Described Tour | You'll Know It When You Feel It
This audio tour developed by Jan Pyke will describe a walk through of the three gallery spaces, stopping to describe key works in each room. This is followed by a short excerpt of text from the exhibition broadsheet, written by Raphaela Rosella, to aid interpretation.
In Australia and across the globe demands are growing for a society in which prisons and policing are no longer the default solution to address social, economic, and political issues in our communities. Despite this, systems of surveillance, classification, and control extend far beyond prison walls, parole boards, and courtrooms. They are embedded in archives, bureaucratic procedures, and the subsequent documents that record an individual’s lived experience. Unveiling the ineptitude of ‘official records’, You’ll Know It When You Feel It is a socially engaged art project that seeks to resist bureaucratic representations of women whose lives intersect with the prison-industrial complex.
Co-created by Brisbane based artist Raphaela Rosella, this intimate work has emerged over fifteen years alongside several women in her life. From six-minute phone calls to handwritten letters that circulate between Rosella, her friends, family members, and loved ones, the multi-authored exhibition examines the value of their co-created archive as a site of resistance.
Institute of Modern Art
This panel discussion was recorded following a screening of the Khaled Hourani's film Picasso in Palestine (2012). Hear Miriam Deprez (photojournalist and PhD candidate, Griffith University), Dr Jamal Nabulsi (diaspora Palestinian writer and researcher), and Remah Naji (Member, Justice for Palestine, Magan-djin) in conversation, facilitated by Dr Samid Suliman (Senior Lecturer, Migration and Security at Griffith University).
This discussion contextualises the film against the decades-long history of the occupation of Palestine, reflects on the im/mobilities that it documents, and instigates an important discussion of the role and duty of the arts to act (transnationally and transversally) against dispossession, occupation, state violence, and genocide.
