American opera director Robin Guarino chats with Evans about her work both on and off the stage. From her time being the first female stagehand at the Metropolitan Opera to her current position as the J. Ralph Corbett Distinguished Chair in Opera at the University of Cincinnati College-Conservatory of Music, she has made it her mission to combine blend art with activism. Hear about her experience directing both modern masterpieces and older classics as well as her run-ins with the biggest opera names of the 20th century!
All content for Inside Opera is the property of Cincinnati Opera and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
American opera director Robin Guarino chats with Evans about her work both on and off the stage. From her time being the first female stagehand at the Metropolitan Opera to her current position as the J. Ralph Corbett Distinguished Chair in Opera at the University of Cincinnati College-Conservatory of Music, she has made it her mission to combine blend art with activism. Hear about her experience directing both modern masterpieces and older classics as well as her run-ins with the biggest opera names of the 20th century!
Evans Mirageas sits down with soprano Susanna Phillips, who played the Countess Almaviva in Cincinnati Opera’s production of “The Marriage of Figaro”. Evans and Susanna discuss her distinct voice, how one begins a career, the fulfillment of motherhood and balancing life with career, and how to be yourself. Susanna’s piece of advice? “Do you. Don’t try to be anyone else.”
Inside Opera
American opera director Robin Guarino chats with Evans about her work both on and off the stage. From her time being the first female stagehand at the Metropolitan Opera to her current position as the J. Ralph Corbett Distinguished Chair in Opera at the University of Cincinnati College-Conservatory of Music, she has made it her mission to combine blend art with activism. Hear about her experience directing both modern masterpieces and older classics as well as her run-ins with the biggest opera names of the 20th century!