From musical theater writing duo Kyle Wilson and Sam French comes [insert movie here]: The Musical!, an unscripted podcast that takes movies that should probably never become musicals, and adapts them into outrageous musical comedies. Complete with kicklines, absurdities, and show-stopping, roof-raising jams, no movie is safe from the sardonic minds of Kyle and Sam. These movies-turned-musicals are so wrong… yet oh so right.
Listen in as Kyle and Sam grapple in real time with the task of adapting a three-act movie into a two-act musical, their creativity stretched into the beyond as they conceive songs, scenes, cuts, casting... to create new breathtaking monstrosities inevitably destined to play on Broadway for the rest of time.
All content for [insert movie here]: The Musical! is the property of [insert movie here]: The Musical! and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
From musical theater writing duo Kyle Wilson and Sam French comes [insert movie here]: The Musical!, an unscripted podcast that takes movies that should probably never become musicals, and adapts them into outrageous musical comedies. Complete with kicklines, absurdities, and show-stopping, roof-raising jams, no movie is safe from the sardonic minds of Kyle and Sam. These movies-turned-musicals are so wrong… yet oh so right.
Listen in as Kyle and Sam grapple in real time with the task of adapting a three-act movie into a two-act musical, their creativity stretched into the beyond as they conceive songs, scenes, cuts, casting... to create new breathtaking monstrosities inevitably destined to play on Broadway for the rest of time.
The Hours: The Musical! with guest Ryan J. Haddad (ft. Emily Koch)
[insert movie here]: The Musical!
1 hour 19 minutes 12 seconds
3 months ago
The Hours: The Musical! with guest Ryan J. Haddad (ft. Emily Koch)
Kyle and Sam are joined by Obie Award winning playwright and actor Ryan J. Haddad, as they adapt 2002's "The Hours" into a musical comedy, with a bird funeral, an adorable but ultimately unlovable child, and the admission that none of us have ever read Mrs Dalloway. Featuring a special musical performance by Emily Koch, Tim Heller, and Joe Mendick.
[IMH] is available on Apple Podcasts and Spotify! Subscribe, leave us a review, and follow us on social media:
Instagram: @insertmoviehereFacebook: @insertmoviehere
[IMH] is hosted by Sam French and Kyle Wilson; Executive Producer is John Albert Harris; artwork by Thomas Constantine Moore; incidental music arranged by Jeremy Robin Lyons; Produced by Jonathan Mark; Co-Produced by Thomas Constance Moore.
“My Son is So Cute (But I Don't Like Him)” is written by Kyle Wilson, arranged, orchestrated, and produced by Jason Weisinger, mixed by Joe Mendick, and featuring Emily Koch as Laura Brown, Tim Heller as Richie Brown, and Joe Mendick on backup vocals.
The [IMH] Theme Song is written by Kyle Wilson; produced by Andy Einhorn; arranged and orchestrated by Nevada Lozano; mixed by Daniel Kluger; mastered by Jessica Thompson; music editing by David Dabbon; lead vocals by Will Blum; backup vocals by Lindsey Roberts, Zanny Laird, Jackson Perrin, and Adrian Rosas; Trevor Neumann on trumpets, Rebecca Patterson on trombones, Chad Smith on saxes, and Evan Hyde on drums.
Special Thanks to Andy Einhorn and Julie Anderson.
[insert movie here]: The Musical!
From musical theater writing duo Kyle Wilson and Sam French comes [insert movie here]: The Musical!, an unscripted podcast that takes movies that should probably never become musicals, and adapts them into outrageous musical comedies. Complete with kicklines, absurdities, and show-stopping, roof-raising jams, no movie is safe from the sardonic minds of Kyle and Sam. These movies-turned-musicals are so wrong… yet oh so right.
Listen in as Kyle and Sam grapple in real time with the task of adapting a three-act movie into a two-act musical, their creativity stretched into the beyond as they conceive songs, scenes, cuts, casting... to create new breathtaking monstrosities inevitably destined to play on Broadway for the rest of time.
