Join us for a heartening discussion of Where It’s All Going and Why There’s Not A Lot of Good Reason to Believe It’s Going to Turn Out Well. Sounds like another publishing conversation, right? Close, but this one’s about the actual end of the world. Which is also publishing, turns out.
Our guest is friend of the pod and beloved apocalypse harbinger Roy Scranton, Associate Professor of English at the University of Notre Dame and Director of the Notre Dame Environmental Humanities Initiative, whose writing you may have encountered in the novels War Porn and I Heart Oklahoma!, such nonfiction books as Learning to Die In The Anthropocene and We’re Doomed, Now What?, and various journals and magazines. This ep is occasioned by Roy’s latest book, Impasse: Climate Change and the Limits of Progress, just out in August 2025 from Stanford University Press, which we find to be a true fount of 21st-century publishing inspo. In the book, Roy takes our magical thinking about ecological collapse and what we think we can do about it to task, questioning progress narratives and arguing for realistic responses in the tradition of Ethical Pessimism. Ethical? Pessimism? Sounds like small press publishing to us! Why make books? Why make books at the end of the world?
Along the way: suffering, time, attention, hope, nihilism, antagonism, the Serenity Prayer, Mary Shelley’s dad, AI, parasites, trolls, Michael Mann, Joseph Tainter, Johannes Göransson and Joyelle McSweeney of Action Books (s/o ep. 9), Matvei Yankelevich (s/o ep. 1), Charles Bukowski and Modest Mouse, crises in our national political discourse and in higher ed, publishing's carbon footprints, three adults trying to figure out what a Wojak is, and other stuff that’s decidedly not for everyone. Buckle up, doomers.
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Join us for a heartening discussion of Where It’s All Going and Why There’s Not A Lot of Good Reason to Believe It’s Going to Turn Out Well. Sounds like another publishing conversation, right? Close, but this one’s about the actual end of the world. Which is also publishing, turns out.
Our guest is friend of the pod and beloved apocalypse harbinger Roy Scranton, Associate Professor of English at the University of Notre Dame and Director of the Notre Dame Environmental Humanities Initiative, whose writing you may have encountered in the novels War Porn and I Heart Oklahoma!, such nonfiction books as Learning to Die In The Anthropocene and We’re Doomed, Now What?, and various journals and magazines. This ep is occasioned by Roy’s latest book, Impasse: Climate Change and the Limits of Progress, just out in August 2025 from Stanford University Press, which we find to be a true fount of 21st-century publishing inspo. In the book, Roy takes our magical thinking about ecological collapse and what we think we can do about it to task, questioning progress narratives and arguing for realistic responses in the tradition of Ethical Pessimism. Ethical? Pessimism? Sounds like small press publishing to us! Why make books? Why make books at the end of the world?
Along the way: suffering, time, attention, hope, nihilism, antagonism, the Serenity Prayer, Mary Shelley’s dad, AI, parasites, trolls, Michael Mann, Joseph Tainter, Johannes Göransson and Joyelle McSweeney of Action Books (s/o ep. 9), Matvei Yankelevich (s/o ep. 1), Charles Bukowski and Modest Mouse, crises in our national political discourse and in higher ed, publishing's carbon footprints, three adults trying to figure out what a Wojak is, and other stuff that’s decidedly not for everyone. Buckle up, doomers.
Episode 23: Youssef Rakha - “Genre, Freedom, and Political Despair”
Index for Continuance
1 hour 30 minutes 4 seconds
4 months ago
Episode 23: Youssef Rakha - “Genre, Freedom, and Political Despair”
In this ep Hilary talks to the writer and editor Youssef Rakha, whose novel The Dissenters is just out this spring from Graywolf. The Dissenters is Youssef’s first novel to be written in English—you may know his previous The Book of the Sultan’s Seal: Strange Incidents from History in the City of Mars, translated by Paul Starkey (and which Hilary edited back in the day), and The Crocodiles, translated by Robin Moger. Shoutout to those two translators. And/or his long essay on Arab porn and his book-length essay on The Mummy. We talk about the beloved bilingual English/Arabic magazine The Sultan’s Seal—archived here—which Youssef founded and edited, and how literary work might create “less transactional communities.” We dive into the new novel and Youssef’s interest in the epistolary form and narrating nonlinearly as a means to better represent history. We talk about moving between languages, the freedom of writing a novel in English without paying attention to the industry in English, Youssef’s generational beginnings as a writer “in the twilight zone between state control and neoliberalism,” his first trip to the US, and addressing Westerners amid the genocide in Gaza. Among the writers mentioned are Arwa Salih, whose work The Stillborn is available in English, translated by Samah Selim. Finally and not finally, we consider what may be hopeful about despair.
Bonus: Here’s a lovely long essay on Youssef’s work in English by the writer Madeline Beach Carey, published in Full Stop. And a heads up: The Dissenters discusses suicide and so does this episode.
Index for Continuance
Join us for a heartening discussion of Where It’s All Going and Why There’s Not A Lot of Good Reason to Believe It’s Going to Turn Out Well. Sounds like another publishing conversation, right? Close, but this one’s about the actual end of the world. Which is also publishing, turns out.
Our guest is friend of the pod and beloved apocalypse harbinger Roy Scranton, Associate Professor of English at the University of Notre Dame and Director of the Notre Dame Environmental Humanities Initiative, whose writing you may have encountered in the novels War Porn and I Heart Oklahoma!, such nonfiction books as Learning to Die In The Anthropocene and We’re Doomed, Now What?, and various journals and magazines. This ep is occasioned by Roy’s latest book, Impasse: Climate Change and the Limits of Progress, just out in August 2025 from Stanford University Press, which we find to be a true fount of 21st-century publishing inspo. In the book, Roy takes our magical thinking about ecological collapse and what we think we can do about it to task, questioning progress narratives and arguing for realistic responses in the tradition of Ethical Pessimism. Ethical? Pessimism? Sounds like small press publishing to us! Why make books? Why make books at the end of the world?
Along the way: suffering, time, attention, hope, nihilism, antagonism, the Serenity Prayer, Mary Shelley’s dad, AI, parasites, trolls, Michael Mann, Joseph Tainter, Johannes Göransson and Joyelle McSweeney of Action Books (s/o ep. 9), Matvei Yankelevich (s/o ep. 1), Charles Bukowski and Modest Mouse, crises in our national political discourse and in higher ed, publishing's carbon footprints, three adults trying to figure out what a Wojak is, and other stuff that’s decidedly not for everyone. Buckle up, doomers.
