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Index for Continuance
Index for Continuance
26 episodes
1 month ago
Join us for a heartening discussion of Where It’s All Going and Why There’s Not A Lot of Good Reason to Believe It’s Going to Turn Out Well. Sounds like another publishing conversation, right? Close, but this one’s about the actual end of the world. Which is also publishing, turns out. Our guest is friend of the pod and beloved apocalypse harbinger Roy Scranton, Associate Professor of English at the University of Notre Dame and Director of the Notre Dame Environmental Humanities Initiative, whose writing you may have encountered in the novels War Porn and I Heart Oklahoma!, such nonfiction books as Learning to Die In The Anthropocene and We’re Doomed, Now What?, and various journals and magazines. This ep is occasioned by Roy’s latest book, Impasse: Climate Change and the Limits of Progress, just out in August 2025 from Stanford University Press, which we find to be a true fount of 21st-century publishing inspo. In the book, Roy takes our magical thinking about ecological collapse and what we think we can do about it to task, questioning progress narratives and arguing for realistic responses in the tradition of Ethical Pessimism. Ethical? Pessimism? Sounds like small press publishing to us! Why make books? Why make books at the end of the world? Along the way: suffering, time, attention, hope, nihilism, antagonism, the Serenity Prayer, Mary Shelley’s dad, AI, parasites, trolls, Michael Mann, Joseph Tainter, Johannes Göransson and Joyelle McSweeney of Action Books (s/o ep. 9), Matvei Yankelevich (s/o ep. 1), Charles Bukowski and Modest Mouse, crises in our national political discourse and in higher ed, publishing's carbon footprints, three adults trying to figure out what a Wojak is, and other stuff that’s decidedly not for everyone. Buckle up, doomers.
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Join us for a heartening discussion of Where It’s All Going and Why There’s Not A Lot of Good Reason to Believe It’s Going to Turn Out Well. Sounds like another publishing conversation, right? Close, but this one’s about the actual end of the world. Which is also publishing, turns out. Our guest is friend of the pod and beloved apocalypse harbinger Roy Scranton, Associate Professor of English at the University of Notre Dame and Director of the Notre Dame Environmental Humanities Initiative, whose writing you may have encountered in the novels War Porn and I Heart Oklahoma!, such nonfiction books as Learning to Die In The Anthropocene and We’re Doomed, Now What?, and various journals and magazines. This ep is occasioned by Roy’s latest book, Impasse: Climate Change and the Limits of Progress, just out in August 2025 from Stanford University Press, which we find to be a true fount of 21st-century publishing inspo. In the book, Roy takes our magical thinking about ecological collapse and what we think we can do about it to task, questioning progress narratives and arguing for realistic responses in the tradition of Ethical Pessimism. Ethical? Pessimism? Sounds like small press publishing to us! Why make books? Why make books at the end of the world? Along the way: suffering, time, attention, hope, nihilism, antagonism, the Serenity Prayer, Mary Shelley’s dad, AI, parasites, trolls, Michael Mann, Joseph Tainter, Johannes Göransson and Joyelle McSweeney of Action Books (s/o ep. 9), Matvei Yankelevich (s/o ep. 1), Charles Bukowski and Modest Mouse, crises in our national political discourse and in higher ed, publishing's carbon footprints, three adults trying to figure out what a Wojak is, and other stuff that’s decidedly not for everyone. Buckle up, doomers.
Show more...
Books
Arts
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Episode 22: Kirsty Dunlop & Maria Sledmere - “Small Presses Are Infrastructure”
Index for Continuance
1 hour 11 minutes 28 seconds
7 months ago
Episode 22: Kirsty Dunlop & Maria Sledmere - “Small Presses Are Infrastructure”
Join us for a cool milestone in our first-ever transatlantic episode. We interview Kirsty Dunlop and Maria Sledmere, Glasgow-based post-internet poetics prophets and editors of the heroic UK online and IRL publisher SPAM Zine & Press. The origins of this convo are in ZP’s infatuation with UK pamphlet culture, where, one day, he noticed that the unit of literary-cultural production we usually refer to as a “chapbook” here in the US tends to get called something different among small press writers and publishers in the UK—not always “chapbook” but, perhaps more frequently, “pamphlet.” While the linguistic difference between “pamphlet” and “chapbook” may seem arbitrary—and maybe is in the end, but listen, some of us have an illness called Being a Poet—we can’t help noticing that along these terminological alignments there seem to also lie some real material, aesthetic, and political differences. Emotional ones, too. For expert help straightening this all out, we consult Kirsty and Maria, who tell us about SPAM’s origins and aims as a whimsical yet rigorous transmedial platform for on/offline poetry and performance, criticism and collaboration, excitement and experimentation. Our conversation forefronts the work of editing as cultivating the social life of literature, while we gloss the symbiosis of publishing and programming, tripping over the classic DIY, nonprofit, and post-professional perils and possibilities. We also take this opportunity to think about whether the different infrastructures that support life in our countries lead to the production of different kinds of literature, if we can tell. Put another way, what do public transit and healthcare have to do with poems? Look, all we know is we could use a just little more of what they have over there, over here. And if the recent stateside boom of new presses and mags is any indicator, we’re well on our way, but it’s bound to be different. Watch this space. A few more UK small press pamphlet purveyors we personally love, some of whom are mentioned in the ep, but some we forgot because we get nervous: Slub Press, Broken Sleep Books, If a Leaf Falls Press, VIBE. See also: Glaswegian proto-internet poet and Scotland’s first Makar, Edwin Morgan; SPAM’s Brilliant Vibrating Interface and just a few of our personal fave, SPAM, book-objects; Ludd Gang magazine and the Poets’ Hardship Fund; Glasgow cooperative bookmaking studio and independent bookseller Good Press; Mathias Svalina’s Dream Delivery Service. Oh dang, looks like we mixed up the decades of the Mimeo Revolution! Whoopsie.
Index for Continuance
Join us for a heartening discussion of Where It’s All Going and Why There’s Not A Lot of Good Reason to Believe It’s Going to Turn Out Well. Sounds like another publishing conversation, right? Close, but this one’s about the actual end of the world. Which is also publishing, turns out. Our guest is friend of the pod and beloved apocalypse harbinger Roy Scranton, Associate Professor of English at the University of Notre Dame and Director of the Notre Dame Environmental Humanities Initiative, whose writing you may have encountered in the novels War Porn and I Heart Oklahoma!, such nonfiction books as Learning to Die In The Anthropocene and We’re Doomed, Now What?, and various journals and magazines. This ep is occasioned by Roy’s latest book, Impasse: Climate Change and the Limits of Progress, just out in August 2025 from Stanford University Press, which we find to be a true fount of 21st-century publishing inspo. In the book, Roy takes our magical thinking about ecological collapse and what we think we can do about it to task, questioning progress narratives and arguing for realistic responses in the tradition of Ethical Pessimism. Ethical? Pessimism? Sounds like small press publishing to us! Why make books? Why make books at the end of the world? Along the way: suffering, time, attention, hope, nihilism, antagonism, the Serenity Prayer, Mary Shelley’s dad, AI, parasites, trolls, Michael Mann, Joseph Tainter, Johannes Göransson and Joyelle McSweeney of Action Books (s/o ep. 9), Matvei Yankelevich (s/o ep. 1), Charles Bukowski and Modest Mouse, crises in our national political discourse and in higher ed, publishing's carbon footprints, three adults trying to figure out what a Wojak is, and other stuff that’s decidedly not for everyone. Buckle up, doomers.