Join us for a heartening discussion of Where It’s All Going and Why There’s Not A Lot of Good Reason to Believe It’s Going to Turn Out Well. Sounds like another publishing conversation, right? Close, but this one’s about the actual end of the world. Which is also publishing, turns out.
Our guest is friend of the pod and beloved apocalypse harbinger Roy Scranton, Associate Professor of English at the University of Notre Dame and Director of the Notre Dame Environmental Humanities Initiative, whose writing you may have encountered in the novels War Porn and I Heart Oklahoma!, such nonfiction books as Learning to Die In The Anthropocene and We’re Doomed, Now What?, and various journals and magazines. This ep is occasioned by Roy’s latest book, Impasse: Climate Change and the Limits of Progress, just out in August 2025 from Stanford University Press, which we find to be a true fount of 21st-century publishing inspo. In the book, Roy takes our magical thinking about ecological collapse and what we think we can do about it to task, questioning progress narratives and arguing for realistic responses in the tradition of Ethical Pessimism. Ethical? Pessimism? Sounds like small press publishing to us! Why make books? Why make books at the end of the world?
Along the way: suffering, time, attention, hope, nihilism, antagonism, the Serenity Prayer, Mary Shelley’s dad, AI, parasites, trolls, Michael Mann, Joseph Tainter, Johannes Göransson and Joyelle McSweeney of Action Books (s/o ep. 9), Matvei Yankelevich (s/o ep. 1), Charles Bukowski and Modest Mouse, crises in our national political discourse and in higher ed, publishing's carbon footprints, three adults trying to figure out what a Wojak is, and other stuff that’s decidedly not for everyone. Buckle up, doomers.
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Join us for a heartening discussion of Where It’s All Going and Why There’s Not A Lot of Good Reason to Believe It’s Going to Turn Out Well. Sounds like another publishing conversation, right? Close, but this one’s about the actual end of the world. Which is also publishing, turns out.
Our guest is friend of the pod and beloved apocalypse harbinger Roy Scranton, Associate Professor of English at the University of Notre Dame and Director of the Notre Dame Environmental Humanities Initiative, whose writing you may have encountered in the novels War Porn and I Heart Oklahoma!, such nonfiction books as Learning to Die In The Anthropocene and We’re Doomed, Now What?, and various journals and magazines. This ep is occasioned by Roy’s latest book, Impasse: Climate Change and the Limits of Progress, just out in August 2025 from Stanford University Press, which we find to be a true fount of 21st-century publishing inspo. In the book, Roy takes our magical thinking about ecological collapse and what we think we can do about it to task, questioning progress narratives and arguing for realistic responses in the tradition of Ethical Pessimism. Ethical? Pessimism? Sounds like small press publishing to us! Why make books? Why make books at the end of the world?
Along the way: suffering, time, attention, hope, nihilism, antagonism, the Serenity Prayer, Mary Shelley’s dad, AI, parasites, trolls, Michael Mann, Joseph Tainter, Johannes Göransson and Joyelle McSweeney of Action Books (s/o ep. 9), Matvei Yankelevich (s/o ep. 1), Charles Bukowski and Modest Mouse, crises in our national political discourse and in higher ed, publishing's carbon footprints, three adults trying to figure out what a Wojak is, and other stuff that’s decidedly not for everyone. Buckle up, doomers.
Episode 19: Kate Kremer - “Impossible and Interactive: How to Publish Plays”
Index for Continuance
1 hour 34 minutes 43 seconds
1 year ago
Episode 19: Kate Kremer - “Impossible and Interactive: How to Publish Plays”
We sit down with Kate Kremer, playwright and publisher of 53rd State Press, which now also houses 3 Hole Press and Plays Inverse, making it an essential hub of independent and radical writing for performance today. We discuss how one challenge in publishing plays could be that “nobody likes to read plays,” how to think about the relationship between text and production, publishing unproduceable plays, inciting future possibilities for the impossible, and envisioning “the page as the arena in which this event is going to unfold.” We also consider the dangers of replying to email, how financial pressures on theaters affect aesthetics, learning to write grants, getting your time devoured, the aftermath of covid, and building bridges between the literary and theater worlds. Kate offers some pretty brilliant thoughts on how success might actually mean “managing a consistent relationship with failure.”
Also mentioned are the playwrights, writers, and publishers Karinne Keithley Syers, Rachel Kauder Nalebuff, and Tyler Crumrine. Find more of Kate’s work here and check out this ep especially if you’re wondering how one single person could run an entire press and become her own intern.
Index for Continuance
Join us for a heartening discussion of Where It’s All Going and Why There’s Not A Lot of Good Reason to Believe It’s Going to Turn Out Well. Sounds like another publishing conversation, right? Close, but this one’s about the actual end of the world. Which is also publishing, turns out.
Our guest is friend of the pod and beloved apocalypse harbinger Roy Scranton, Associate Professor of English at the University of Notre Dame and Director of the Notre Dame Environmental Humanities Initiative, whose writing you may have encountered in the novels War Porn and I Heart Oklahoma!, such nonfiction books as Learning to Die In The Anthropocene and We’re Doomed, Now What?, and various journals and magazines. This ep is occasioned by Roy’s latest book, Impasse: Climate Change and the Limits of Progress, just out in August 2025 from Stanford University Press, which we find to be a true fount of 21st-century publishing inspo. In the book, Roy takes our magical thinking about ecological collapse and what we think we can do about it to task, questioning progress narratives and arguing for realistic responses in the tradition of Ethical Pessimism. Ethical? Pessimism? Sounds like small press publishing to us! Why make books? Why make books at the end of the world?
Along the way: suffering, time, attention, hope, nihilism, antagonism, the Serenity Prayer, Mary Shelley’s dad, AI, parasites, trolls, Michael Mann, Joseph Tainter, Johannes Göransson and Joyelle McSweeney of Action Books (s/o ep. 9), Matvei Yankelevich (s/o ep. 1), Charles Bukowski and Modest Mouse, crises in our national political discourse and in higher ed, publishing's carbon footprints, three adults trying to figure out what a Wojak is, and other stuff that’s decidedly not for everyone. Buckle up, doomers.
