Creating a perfect sound design for any musical event is no easy feat. But what about when it’s an enormous outdoor performance for 3,000 spectators, with a full orchestra, a huge cast of singers, a pop-up grandstand and all sorts of natural sound to compete with? This was the challenge facing sound designer extraordinaire Tony David Cray when he joined the team for Handa Opera on Sydney Harbour. In this interview with our Artistic Director, Lyndon Terracini, Cray shares the secrets behind his sound design for Handa Opera on Sydney Harbour, and the ways he manages to simulate the feeling of being enclosed in an auditorium in the great outdoors. Cray’s rich and varied career has seen him work with sound in all capacities; as a composer for major theatre companies and film, an engineer and producer for orchestras and world-famous pop acts, and in developing new technologies for live performance. In 2008 he won a Grammy Award for his work on a Chuck Corea and Gary Burton album recorded live in Sydney, and most recently he’s been working for the NRL to create an appropriate sense of atmosphere while crowds aren’t able to fill stadiums.