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HYPE.FM
HYPE MEDIUM
34 episodes
3 months ago
Today’s very special guest is Tāmaki Makaurau-based composer, producer and multi-instrumentalist Serebii (the artist project of Callum Mower)! After establishing the Serebii project with several albums’ worth of trancing neo-soul and shape-shifting ballads, much of it done in collaboration with fellow New Zealander Arjuna Oakes, Mower had no lack of confidence in his musical abilities. But much of Mower’s focus in the past was on instruments and production—swirling, cinematic instrumentals under his own name or funky art-pop jams with others on vocals. On Dime, however, Mower knew he wanted to push forward with his own singing placed centre stage.
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Music Interviews
Music
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Today’s very special guest is Tāmaki Makaurau-based composer, producer and multi-instrumentalist Serebii (the artist project of Callum Mower)! After establishing the Serebii project with several albums’ worth of trancing neo-soul and shape-shifting ballads, much of it done in collaboration with fellow New Zealander Arjuna Oakes, Mower had no lack of confidence in his musical abilities. But much of Mower’s focus in the past was on instruments and production—swirling, cinematic instrumentals under his own name or funky art-pop jams with others on vocals. On Dime, however, Mower knew he wanted to push forward with his own singing placed centre stage.
Show more...
Music Interviews
Music
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EP 23: Tom Verberne on his latest EP ‘Skingwalk’
HYPE.FM
12 minutes 41 seconds
1 year ago
EP 23: Tom Verberne on his latest EP ‘Skingwalk’
Today’s special guest is incredible indie artist Tom Verberne! We chat about how he got started in singing and creating his own music, his main musical influences growing up, his latest EP, his favourite kiwi artists at the moment and his move to London.
HYPE.FM
Today’s very special guest is Tāmaki Makaurau-based composer, producer and multi-instrumentalist Serebii (the artist project of Callum Mower)! After establishing the Serebii project with several albums’ worth of trancing neo-soul and shape-shifting ballads, much of it done in collaboration with fellow New Zealander Arjuna Oakes, Mower had no lack of confidence in his musical abilities. But much of Mower’s focus in the past was on instruments and production—swirling, cinematic instrumentals under his own name or funky art-pop jams with others on vocals. On Dime, however, Mower knew he wanted to push forward with his own singing placed centre stage.