Today’s very special guest is Tāmaki Makaurau-based composer, producer and multi-instrumentalist Serebii (the artist project of Callum Mower)!
After establishing the Serebii project with several albums’ worth of trancing neo-soul and shape-shifting ballads, much of it done in collaboration with fellow New Zealander Arjuna Oakes, Mower had no lack of confidence in his musical abilities. But much of Mower’s focus in the past was on instruments and production—swirling, cinematic instrumentals under his own name or funky art-pop jams with others on vocals. On Dime, however, Mower knew he wanted to push forward with his own singing placed centre stage.
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Today’s very special guest is Tāmaki Makaurau-based composer, producer and multi-instrumentalist Serebii (the artist project of Callum Mower)!
After establishing the Serebii project with several albums’ worth of trancing neo-soul and shape-shifting ballads, much of it done in collaboration with fellow New Zealander Arjuna Oakes, Mower had no lack of confidence in his musical abilities. But much of Mower’s focus in the past was on instruments and production—swirling, cinematic instrumentals under his own name or funky art-pop jams with others on vocals. On Dime, however, Mower knew he wanted to push forward with his own singing placed centre stage.
Today’s special guest is Tom Chamberlain from indie-rock band PARK RD!
PARK RD have established themselves as one of NZ’s most exciting new bands, off the back of two EPs, a series of singles, and killer live shows. The past 12 months have seen the band perform at festivals such as SXSW Sydney, Rhythm & Vines, Soundsplash & Le Currents, and support The Band CAMINO, Milky Chance, Spacey Jane, and Summer Thieves. This episode, we celebrate the release of their debut album 'The Novel'.
HYPE.FM
Today’s very special guest is Tāmaki Makaurau-based composer, producer and multi-instrumentalist Serebii (the artist project of Callum Mower)!
After establishing the Serebii project with several albums’ worth of trancing neo-soul and shape-shifting ballads, much of it done in collaboration with fellow New Zealander Arjuna Oakes, Mower had no lack of confidence in his musical abilities. But much of Mower’s focus in the past was on instruments and production—swirling, cinematic instrumentals under his own name or funky art-pop jams with others on vocals. On Dime, however, Mower knew he wanted to push forward with his own singing placed centre stage.
