Artist Talk
Paola Torres Núñez del Prado
Artist
Somewhat similar to what it is commonly said about migrants, autonomous machines are taken to be a potential threat to some human labour. In military environments, these systems and their efficiency can, in fact, be more lethal than those controlled by people. This idea allows us to roll back to the core definition of intelligence which, since the Industrial Revolution has been deeply linked with efficiency-as-productivity, and subsequent avoidance of errors. This definition which is the heir of a type of rationality, with origins in the Enlightenment, is placed at the top of a hierarchy above all other human thought systems. Problems linked to managing the natural environment, where other later ‘non-rational’ human cultures are encountered, have been solved through domination and even annihilation. We can now see that some AI systems continue this legacy.
In this context, AIELSON [a machine learning model Torres trained to generate spoken-word poetry] reflects upon the zeitgeist, incorporating a complex critique where the system is seen to be connected to humanity (as a reflection) since imperfections are not discarded but embraced. Consequently this contradicts the notion of intelligence as the epitome of flawless efficiency and perfection. Hence, Torres proposes that we should now discuss machine creativity, and how creativity informs human imagination. Her work asks the question: Can we envision another future of possible cooperation between humans and machines, where the natural world is no longer seen as a territory to conquer?
Bio
Paola Torres Núñez del Prado departs from the exploration of the limits of the senses to examine the concepts of interpretation, translation, and misrepresentation, reflecting on the mediated sensorial experiences that (re)construct our perceived reality and that in turn serve to establish a cultural hegemony within the history of technology and the arts. Recently, she received an Honorary Mention at the Prix Ars Electronica for AIELSON, a system developed during her residence on Google’s Artists + Machine Intelligence program 2019-20.
Her performances and her artworks, which are also part of the collections of Malmo Art Museum and the Public Art Agency of Sweden, have been presented in several countries of the Americas, Central Europe, and Scandinavia, where she is currently based.
https://autodios.github.io
http://www.singingtextiles.com
https://twitter.com/autodios