The lights go down, people settle. A violin starts to play. Stage left, an elderly man walks onstage, alone, in a suit and tie, wearing a hat. This is John Cartwright, aged just 87 - The Performer. In this episode, we consider what performance means – on life as performance, and performance as life. How performance brings us alive, stretches us and helps us to grow. Punctuated by his poetry, John Cartwright provides a meditation on ageing, on the body, on movement, and what it means to be alive in this world. A refraction from within the kernel of a particular existence, turned outward and inward, shared. A mirror of life and death. The lights dim, the curtain closes… we applaud. We shuffle out, head our separate ways, holding the memory of the experience. We’re reflecting on what things mean. On who we love, and how we might do better. The stars in our own little life show, silently reciting our lines. Perhaps we sense a flickering curtain. Or can register the fading light. Or perhaps we’re entirely unaware that this is it, that life is no rehearsal…
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The lights go down, people settle. A violin starts to play. Stage left, an elderly man walks onstage, alone, in a suit and tie, wearing a hat. This is John Cartwright, aged just 87 - The Performer. In this episode, we consider what performance means – on life as performance, and performance as life. How performance brings us alive, stretches us and helps us to grow. Punctuated by his poetry, John Cartwright provides a meditation on ageing, on the body, on movement, and what it means to be alive in this world. A refraction from within the kernel of a particular existence, turned outward and inward, shared. A mirror of life and death. The lights dim, the curtain closes… we applaud. We shuffle out, head our separate ways, holding the memory of the experience. We’re reflecting on what things mean. On who we love, and how we might do better. The stars in our own little life show, silently reciting our lines. Perhaps we sense a flickering curtain. Or can register the fading light. Or perhaps we’re entirely unaware that this is it, that life is no rehearsal…
Kirsty Horn is a Breast Cancer Warrior, no mere 'survivor.'
In this episode, she shares extremely useful insight gained during her diagnosis and treatment journey, with candour, energy and a great sense of humour. Tips for self-care, family relationships, support group formation for the help with the explicit nitty-gritty... as well as insider perspective to what kind of friendship and care helps best - this is an amazing resource for anyone who is starting this journey, or who wants to support someone they love.
How To Die
The lights go down, people settle. A violin starts to play. Stage left, an elderly man walks onstage, alone, in a suit and tie, wearing a hat. This is John Cartwright, aged just 87 - The Performer. In this episode, we consider what performance means – on life as performance, and performance as life. How performance brings us alive, stretches us and helps us to grow. Punctuated by his poetry, John Cartwright provides a meditation on ageing, on the body, on movement, and what it means to be alive in this world. A refraction from within the kernel of a particular existence, turned outward and inward, shared. A mirror of life and death. The lights dim, the curtain closes… we applaud. We shuffle out, head our separate ways, holding the memory of the experience. We’re reflecting on what things mean. On who we love, and how we might do better. The stars in our own little life show, silently reciting our lines. Perhaps we sense a flickering curtain. Or can register the fading light. Or perhaps we’re entirely unaware that this is it, that life is no rehearsal…
