How Publishing Works. From Caxton to Kindle

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How Publishing Works: From Caxton to Kindle

Kate Macdonald

12 episodes

7 months ago

Publishing is a massive, complicated industry. It began in English with William Caxton in the fifteenth century, and it’s still evolving. Join Kate Macdonald, the publisher at Handheld Press and a visiting research fellow at Oxford Brookes University, in conversation with weekly guests to break down the mysteries of publishing as a business, as a trade, as an art, and as a culture.

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Business

Arts,

Society & Culture

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How Publishing Works. From Caxton to Kindle

How Publishing Works: From Caxton to Kindle

59 minutes 18 seconds

2 years ago

How Publishing Works. From Caxton to Kindle

In this episode of How Publishing Works Kate Macdonald of Handheld Press is in conversation with another publisher - Eloise Millar from Galley Beggar Press, a British independent publishing house.

How does a publisher know that the manuscript they’re reading is The One? What are the first stages after the contract has been signed? How do you juggle marketing and editorial? And what awful thing happened in 2019 that

gave Galley Beggar renewed faith in the generosity of the book trade? You may need tissues for this one.

The books that Eloise mentions are:

Lucy Ellman’s Ducks, Newburyport (2019)
Selby Wynn Schwartz’s After Sappho (2021)
Adam Biles, Beasts of England (2023)
Alex Pheby’s Mordew (2019)

You can find all Galley Beggar’s books at https://www.galleybeggar.co.uk/

For more information about Handheld Press, go to www.handheldpress.co.uk. You can email this podcast at podcast@handheldpress.co.uk.

This episode was edited and produced by Kate Macdonald. The jolly intro and outro music is 'Feels Like Home' by Avocado Junkie, sourced through Podcastle.

If you like this podcast, please leave a review on your podcast provider! And tell your friends: word of mouth is the best way to get new folk listening.

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