Anton Trailer joins us on the pod and this one's a wild ride through music supervision madness. The legendary music supervisor has worked his way from ski resort DJ to clearing massive global campaigns, including spending 12 months getting Aerosmith, Run DMC, Loretta Lynn and Lou Reed to agree to a mashup for one Johnny Walker advert. He's tracked down obscure writers, dealt with egos the size of planets, and learned why most briefs start with "we want something known and upbeat." We dive into the madness of sample clearances, why relationships matter more than being a music nerd, and how never saying no to early opportunities (even cleaning camera trucks at 5am) shaped his career. Anton gives us the lowdown on breaking into sync, why being transparent when things go wrong will save you, and what happens when clients want Radiohead for a bank advert