Trying to pigeonhole Tom Epperson into a single category is impossible—and that’s part of what makes his career so compelling. His path as a novelist and screenwriter has been anything but linear, weaving through genres and mediums with equal parts grit and curiosity. He knew early on that writing would be his life’s work, and meeting lifelong friend and collaborator Billy Bob Thornton during boyhood only strengthened that conviction, leading to a six-decade partnership that produced tremendously profound films like One False Move, The Gift, and A Family Thing. Their work has earned significant critical acclaim, including Independent Spirit Award and Saturn Award nominations, and recognition from the Writers Guild of America. As a novelist, Tom’s range is just as impressive, spanning noir, historical fiction, and adventure with titles such as Sailor, Make Believe, Roberto to the Dark Tower Came, the Edgar Award nominated The Kind One, and most recently Baby Hawk—available wherever books are sold. In our conversation, we dived into the origins of his new book, the dangers of group-think, the challenging nature of AI, his first move to Los Angeles, and what it takes to remain grounded in a chaotic world.
Opening Credits: Arana - Jazz at Mladost Club I CC BY-NC-SA 3.0; Komiku - Old artefact to destroy the patriarchy hidden somewhere I CC0 1.0. Closing Credits: Jalikebba Kuyateh and the Toubabs - Griot and the Family I CC BY-NC-SA 3.0.
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Trying to pigeonhole Tom Epperson into a single category is impossible—and that’s part of what makes his career so compelling. His path as a novelist and screenwriter has been anything but linear, weaving through genres and mediums with equal parts grit and curiosity. He knew early on that writing would be his life’s work, and meeting lifelong friend and collaborator Billy Bob Thornton during boyhood only strengthened that conviction, leading to a six-decade partnership that produced tremendously profound films like One False Move, The Gift, and A Family Thing. Their work has earned significant critical acclaim, including Independent Spirit Award and Saturn Award nominations, and recognition from the Writers Guild of America. As a novelist, Tom’s range is just as impressive, spanning noir, historical fiction, and adventure with titles such as Sailor, Make Believe, Roberto to the Dark Tower Came, the Edgar Award nominated The Kind One, and most recently Baby Hawk—available wherever books are sold. In our conversation, we dived into the origins of his new book, the dangers of group-think, the challenging nature of AI, his first move to Los Angeles, and what it takes to remain grounded in a chaotic world.
Opening Credits: Arana - Jazz at Mladost Club I CC BY-NC-SA 3.0; Komiku - Old artefact to destroy the patriarchy hidden somewhere I CC0 1.0. Closing Credits: Jalikebba Kuyateh and the Toubabs - Griot and the Family I CC BY-NC-SA 3.0.
Ep. 59 - Joe Boyd on And the Roots of Rhythm Remain, Salamat Ali and Nick Drake
How Did They Get There
1 hour 3 minutes 46 seconds
10 months ago
Ep. 59 - Joe Boyd on And the Roots of Rhythm Remain, Salamat Ali and Nick Drake
Joe Boyd’s revered productions of artists ranging from Pink Floyd, The Incredible String Band and Nick Drake had been widely-circulated and universally-acclaimed. He had worked with Stanley Kubrick at Warner Bros to assemble the soundtrack to A Clockwork Orange. He founded the UFO Club which featured avant-garde artists like Soft Machine — which became his house band — and Yoko Ono. Productions of R.E.M., Billy Bragg, 10,000 Maniacs, Fairport Convention and Richard and Linda Thompson followed. He directed Jimi Hendrix, the eponymous documentary. But if you were paying attention, you would have made note of the through-line running through Joe’s prolific output — World Music. His productions of artists such as Dagmar Krause, Nazakat & Salamat Ali, the Trio Bulgarka, ¡Cubanismo!, Virginia Rodrigues, Damir Imamović and several others demonstrated his versatility to trancend not only genre, but also language and culture. Joe’s vibrant musical output eclipsed what we thought was possible in the art and science of music. His latest book, And the Roots of Rhythm Remain, examines the origins, impact and cultural undertones which define world music through his lens. In our conversation, we discussed the roots of his latest masterpiece; political-songwriting through shifting of culture; categorization as a benefit toward creativity; and musical and storytelling experiences with Brian Eno, David Bryne, Bob Dylan, Mike Heron and others.
Opening Credits: 1st Contact - Just Quickly I CC BY-SA; Ahmadreza Safarian - Forgotten Corpses I CC BY-NC-SA. Closing Credits: Till Paradiso - Here the Stars for You (TP 063) - CC BY-NC-SA.
How Did They Get There
Trying to pigeonhole Tom Epperson into a single category is impossible—and that’s part of what makes his career so compelling. His path as a novelist and screenwriter has been anything but linear, weaving through genres and mediums with equal parts grit and curiosity. He knew early on that writing would be his life’s work, and meeting lifelong friend and collaborator Billy Bob Thornton during boyhood only strengthened that conviction, leading to a six-decade partnership that produced tremendously profound films like One False Move, The Gift, and A Family Thing. Their work has earned significant critical acclaim, including Independent Spirit Award and Saturn Award nominations, and recognition from the Writers Guild of America. As a novelist, Tom’s range is just as impressive, spanning noir, historical fiction, and adventure with titles such as Sailor, Make Believe, Roberto to the Dark Tower Came, the Edgar Award nominated The Kind One, and most recently Baby Hawk—available wherever books are sold. In our conversation, we dived into the origins of his new book, the dangers of group-think, the challenging nature of AI, his first move to Los Angeles, and what it takes to remain grounded in a chaotic world.
Opening Credits: Arana - Jazz at Mladost Club I CC BY-NC-SA 3.0; Komiku - Old artefact to destroy the patriarchy hidden somewhere I CC0 1.0. Closing Credits: Jalikebba Kuyateh and the Toubabs - Griot and the Family I CC BY-NC-SA 3.0.
