Trying to pigeonhole Tom Epperson into a single category is impossible—and that’s part of what makes his career so compelling. His path as a novelist and screenwriter has been anything but linear, weaving through genres and mediums with equal parts grit and curiosity. He knew early on that writing would be his life’s work, and meeting lifelong friend and collaborator Billy Bob Thornton during boyhood only strengthened that conviction, leading to a six-decade partnership that produced tremendously profound films like One False Move, The Gift, and A Family Thing. Their work has earned significant critical acclaim, including Independent Spirit Award and Saturn Award nominations, and recognition from the Writers Guild of America. As a novelist, Tom’s range is just as impressive, spanning noir, historical fiction, and adventure with titles such as Sailor, Make Believe, Roberto to the Dark Tower Came, the Edgar Award nominated The Kind One, and most recently Baby Hawk—available wherever books are sold. In our conversation, we dived into the origins of his new book, the dangers of group-think, the challenging nature of AI, his first move to Los Angeles, and what it takes to remain grounded in a chaotic world.
Opening Credits: Arana - Jazz at Mladost Club I CC BY-NC-SA 3.0; Komiku - Old artefact to destroy the patriarchy hidden somewhere I CC0 1.0. Closing Credits: Jalikebba Kuyateh and the Toubabs - Griot and the Family I CC BY-NC-SA 3.0.
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Trying to pigeonhole Tom Epperson into a single category is impossible—and that’s part of what makes his career so compelling. His path as a novelist and screenwriter has been anything but linear, weaving through genres and mediums with equal parts grit and curiosity. He knew early on that writing would be his life’s work, and meeting lifelong friend and collaborator Billy Bob Thornton during boyhood only strengthened that conviction, leading to a six-decade partnership that produced tremendously profound films like One False Move, The Gift, and A Family Thing. Their work has earned significant critical acclaim, including Independent Spirit Award and Saturn Award nominations, and recognition from the Writers Guild of America. As a novelist, Tom’s range is just as impressive, spanning noir, historical fiction, and adventure with titles such as Sailor, Make Believe, Roberto to the Dark Tower Came, the Edgar Award nominated The Kind One, and most recently Baby Hawk—available wherever books are sold. In our conversation, we dived into the origins of his new book, the dangers of group-think, the challenging nature of AI, his first move to Los Angeles, and what it takes to remain grounded in a chaotic world.
Opening Credits: Arana - Jazz at Mladost Club I CC BY-NC-SA 3.0; Komiku - Old artefact to destroy the patriarchy hidden somewhere I CC0 1.0. Closing Credits: Jalikebba Kuyateh and the Toubabs - Griot and the Family I CC BY-NC-SA 3.0.
Ep. 52 - Max Azulay on 5 Doctors, Carmen and Moony, and Mel Brooks
How Did They Get There
57 minutes 52 seconds
1 year ago
Ep. 52 - Max Azulay on 5 Doctors, Carmen and Moony, and Mel Brooks
Actor, writer and director Max Azulay leveraged his obsession with filmmaking to create unique, irreverent films armed with his comedic sensibility. The influence of the legendary Mel Brooks seeped in early on in his Suburban upbringing, which happened to take place 40 minutes from New York City, and helped inspire his young creativity. Finding his community of like-minded comedic cinephiles led to several short films which channelled his interests. He moved to Los Angeles to attend Occidental College, after transferring from Sarah Lawrence, his parents’ alma mater, and made a number of short films which led to 5 Doctors, his first feature film. Robert Altman would be proud of the film’s tone, which captured fundamental aspects of Max’s own life, including his high school, a thematic undertone of anxiety, and members of his family. He co-directed the film with frequent collaborator, Matt Porter. In addition to starring in the film, the pair wrote the screenplay alongside Phil Primason for an ensemble cast, including Bobby Moynihan, Jeremy Shamos, Peter Friedman and Eddie Pepitone among several others. In addition, Max has directed and written several short films with his collaborators, including Xander; Lenny; One Mutual Friend; and Carmen & Moony, the latter starring his partner Kate Adams, with whom he is developing his next feature. In our conversation, we discussed growing up near the big city; the influence of Borscht Belt comedy; the path towards his first feature; kleptomania; WiFi; and the through-line of family which runs through his catalogue.
Opening Credits: John Lopker - Embryo Murder I CC BY 4.0 DEED; Caleb Lemon - A Road in the Country I CC BY-NC 4.0 DEED; Jangwa - Jupiter Czar I CC BY 4.0 DEED; Closing Credits: Piki - Clear Blue I CC BY 4.0 DEED.
How Did They Get There
Trying to pigeonhole Tom Epperson into a single category is impossible—and that’s part of what makes his career so compelling. His path as a novelist and screenwriter has been anything but linear, weaving through genres and mediums with equal parts grit and curiosity. He knew early on that writing would be his life’s work, and meeting lifelong friend and collaborator Billy Bob Thornton during boyhood only strengthened that conviction, leading to a six-decade partnership that produced tremendously profound films like One False Move, The Gift, and A Family Thing. Their work has earned significant critical acclaim, including Independent Spirit Award and Saturn Award nominations, and recognition from the Writers Guild of America. As a novelist, Tom’s range is just as impressive, spanning noir, historical fiction, and adventure with titles such as Sailor, Make Believe, Roberto to the Dark Tower Came, the Edgar Award nominated The Kind One, and most recently Baby Hawk—available wherever books are sold. In our conversation, we dived into the origins of his new book, the dangers of group-think, the challenging nature of AI, his first move to Los Angeles, and what it takes to remain grounded in a chaotic world.
Opening Credits: Arana - Jazz at Mladost Club I CC BY-NC-SA 3.0; Komiku - Old artefact to destroy the patriarchy hidden somewhere I CC0 1.0. Closing Credits: Jalikebba Kuyateh and the Toubabs - Griot and the Family I CC BY-NC-SA 3.0.
