Trying to pigeonhole Tom Epperson into a single category is impossible—and that’s part of what makes his career so compelling. His path as a novelist and screenwriter has been anything but linear, weaving through genres and mediums with equal parts grit and curiosity. He knew early on that writing would be his life’s work, and meeting lifelong friend and collaborator Billy Bob Thornton during boyhood only strengthened that conviction, leading to a six-decade partnership that produced tremendously profound films like One False Move, The Gift, and A Family Thing. Their work has earned significant critical acclaim, including Independent Spirit Award and Saturn Award nominations, and recognition from the Writers Guild of America. As a novelist, Tom’s range is just as impressive, spanning noir, historical fiction, and adventure with titles such as Sailor, Make Believe, Roberto to the Dark Tower Came, the Edgar Award nominated The Kind One, and most recently Baby Hawk—available wherever books are sold. In our conversation, we dived into the origins of his new book, the dangers of group-think, the challenging nature of AI, his first move to Los Angeles, and what it takes to remain grounded in a chaotic world.
Opening Credits: Arana - Jazz at Mladost Club I CC BY-NC-SA 3.0; Komiku - Old artefact to destroy the patriarchy hidden somewhere I CC0 1.0. Closing Credits: Jalikebba Kuyateh and the Toubabs - Griot and the Family I CC BY-NC-SA 3.0.
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Trying to pigeonhole Tom Epperson into a single category is impossible—and that’s part of what makes his career so compelling. His path as a novelist and screenwriter has been anything but linear, weaving through genres and mediums with equal parts grit and curiosity. He knew early on that writing would be his life’s work, and meeting lifelong friend and collaborator Billy Bob Thornton during boyhood only strengthened that conviction, leading to a six-decade partnership that produced tremendously profound films like One False Move, The Gift, and A Family Thing. Their work has earned significant critical acclaim, including Independent Spirit Award and Saturn Award nominations, and recognition from the Writers Guild of America. As a novelist, Tom’s range is just as impressive, spanning noir, historical fiction, and adventure with titles such as Sailor, Make Believe, Roberto to the Dark Tower Came, the Edgar Award nominated The Kind One, and most recently Baby Hawk—available wherever books are sold. In our conversation, we dived into the origins of his new book, the dangers of group-think, the challenging nature of AI, his first move to Los Angeles, and what it takes to remain grounded in a chaotic world.
Opening Credits: Arana - Jazz at Mladost Club I CC BY-NC-SA 3.0; Komiku - Old artefact to destroy the patriarchy hidden somewhere I CC0 1.0. Closing Credits: Jalikebba Kuyateh and the Toubabs - Griot and the Family I CC BY-NC-SA 3.0.
Ep. 46 - Dito Montiel on A Guide to Recognizing Your Saints, Son of No One and Reagan Youth
How Did They Get There
1 hour 23 minutes 8 seconds
2 years ago
Ep. 46 - Dito Montiel on A Guide to Recognizing Your Saints, Son of No One and Reagan Youth
Dito Montiel’s upbringing in Astoria was filled with so many unique characters which affected him on a lot of different levels. His memoir, A Guide to Recognizing Your Saints, is a collage of these visceral experiences and how they shaped how he sees the world through music, writing and film. He wrote and directed the seminal film adaptation of his novel which won the Dramatic Directing Award at Sundance and received an Independent Spirit Award nomination for Best First Screenplay. Since then, his directorial efforts and ensuing filmography have expanded to include a number of interesting films including Fighting, Man Down, Empire State, The Clapper — based on his novel — Son of No One, featuring performances from Al Pacino and Ray Liotta; and Boulevard, starring Robin Williams in his final film role. In our conversation, we discussed the process of conceiving Saints and how the film was developed; being part of the New York Hardcore scene, particularly as a member the bands Major Conflict and later, Gutterboy; the influence of the Sundance Institute on his directing and writing techniques; and collaborations and friendships with Channing Tatum, Robert Downey and Tracy Morgan.
Opening Credits: Jan-Michael Hökenschnieder x Fachhochschule Dortmund - Driving I Attribution 4.0 International (CC BY 4.0); Lemon Knife - Girl With the Cat Eyes I Attribution 4.0 International (CC BY 4.0). Closing Credits: by 22 - Windy Dazed Days (ALIENBOYYYMUSIC) I CC0 1.0 Universal (CC0 1.0) Public Domain Dedication.
How Did They Get There
Trying to pigeonhole Tom Epperson into a single category is impossible—and that’s part of what makes his career so compelling. His path as a novelist and screenwriter has been anything but linear, weaving through genres and mediums with equal parts grit and curiosity. He knew early on that writing would be his life’s work, and meeting lifelong friend and collaborator Billy Bob Thornton during boyhood only strengthened that conviction, leading to a six-decade partnership that produced tremendously profound films like One False Move, The Gift, and A Family Thing. Their work has earned significant critical acclaim, including Independent Spirit Award and Saturn Award nominations, and recognition from the Writers Guild of America. As a novelist, Tom’s range is just as impressive, spanning noir, historical fiction, and adventure with titles such as Sailor, Make Believe, Roberto to the Dark Tower Came, the Edgar Award nominated The Kind One, and most recently Baby Hawk—available wherever books are sold. In our conversation, we dived into the origins of his new book, the dangers of group-think, the challenging nature of AI, his first move to Los Angeles, and what it takes to remain grounded in a chaotic world.
Opening Credits: Arana - Jazz at Mladost Club I CC BY-NC-SA 3.0; Komiku - Old artefact to destroy the patriarchy hidden somewhere I CC0 1.0. Closing Credits: Jalikebba Kuyateh and the Toubabs - Griot and the Family I CC BY-NC-SA 3.0.
