The series up until now has focused on individuals who have experienced spiritual trauma, but that has left some questions unanswered: what about those who perpetuate or are complicit in spiritual trauma? What about those of us who may not even know that has been the case? What about systemic spiritual trauma that is part of the fabric of our cultures? In this concluding episode, we address the other side of spiritual trauma and hear from Mark Charles about the legacy of the doctrine of discovery.
Content note: this episode references residential schools.
Correction: This episode references a shooting at a protest and the perpetrator's name in the audio is incorrect. The perpetrator was Kyle Rittenhouse, not Dylann Roof.
Credits
Written and recorded by: Hillary McBride
Guests: William Matthews III, Dr. Roberto Che Espinoza, and K.J. Ramsey
Executive producer: Leslie Roberts
Sound editing: Bradley Danyluk and Micaela Peragallo
Music and scoring: Jon Guerra, adapted from the album Ordinary Ways, strings performed by Valerie Guerra
Logo and art: Courtney Searcy
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The series up until now has focused on individuals who have experienced spiritual trauma, but that has left some questions unanswered: what about those who perpetuate or are complicit in spiritual trauma? What about those of us who may not even know that has been the case? What about systemic spiritual trauma that is part of the fabric of our cultures? In this concluding episode, we address the other side of spiritual trauma and hear from Mark Charles about the legacy of the doctrine of discovery.
Content note: this episode references residential schools.
Correction: This episode references a shooting at a protest and the perpetrator's name in the audio is incorrect. The perpetrator was Kyle Rittenhouse, not Dylann Roof.
Credits
Written and recorded by: Hillary McBride
Guests: William Matthews III, Dr. Roberto Che Espinoza, and K.J. Ramsey
Executive producer: Leslie Roberts
Sound editing: Bradley Danyluk and Micaela Peragallo
Music and scoring: Jon Guerra, adapted from the album Ordinary Ways, strings performed by Valerie Guerra
Logo and art: Courtney Searcy
When a function of spiritually traumatic environments is to tell us that we are broken and in need of healing, and healing we are told looks one specific way, beginning to piece together a future on the other side of that can feel confusing. What is healing, and what is just a recreation of the stories that hurt us in the first place? In this episode, we discuss healing from complex trauma and what it means to begin to witness ourselves, turning towards the places inside of us that carry wounds. We discuss parts work, Judith Herman’s model of recovery, and hear from Dr. Alison Cook and J.S. Park.
For transcript and show notes, visit holyhurtpodcast.com
Credits
Written and recorded by: Hillary McBride
Guests: Dr. Alison Cook, J.S. Park
Executive producer: Leslie Roberts
Sound editing: Bradley Danyluk and Micaela Peragallo
Music and scoring: Jon Guerra, adapted from the album Ordinary Ways, strings performed by Valerie Guerra
Logo and art: Courtney Searcy
Holy/Hurt Podcast
The series up until now has focused on individuals who have experienced spiritual trauma, but that has left some questions unanswered: what about those who perpetuate or are complicit in spiritual trauma? What about those of us who may not even know that has been the case? What about systemic spiritual trauma that is part of the fabric of our cultures? In this concluding episode, we address the other side of spiritual trauma and hear from Mark Charles about the legacy of the doctrine of discovery.
Content note: this episode references residential schools.
Correction: This episode references a shooting at a protest and the perpetrator's name in the audio is incorrect. The perpetrator was Kyle Rittenhouse, not Dylann Roof.
Credits
Written and recorded by: Hillary McBride
Guests: William Matthews III, Dr. Roberto Che Espinoza, and K.J. Ramsey
Executive producer: Leslie Roberts
Sound editing: Bradley Danyluk and Micaela Peragallo
Music and scoring: Jon Guerra, adapted from the album Ordinary Ways, strings performed by Valerie Guerra
Logo and art: Courtney Searcy
