History of Art: Special Lectures and Research Seminars
Oxford University
6 episodes
9 months ago
Professor Charlene Villaseñor Black presents her paper “Sacred Art and Censorship in the Hispanic World: Mary’s Lactating Breast” as part of the History of Art Research Seminar Series. Hosted by the History of Art department and led by departmental DPhil students, the Research Seminar Series features recent work by researchers currently working in the History of Art department.
For list of works referred to in this episode see:
https://media.podcasts.ox.ac.uk/arthist/research/2022-03-24-arthist-research-sacred-art-villasenor-black-LIST_OF_WORKS.pdf
Terra Visiting Professor of American Art at the University of Oxford 2021-2022, Professor Villaseñor Black is a leading expert on a range of topics related to contemporary Latinx art, the early modern Iberian world and Chicanx studies. She is currently Professor of Art History and Chicana/o Studies at the University of California, Los Angeles. In 2016, she was awarded UCLA’s Gold Shield Faculty Prize for Academic Excellence for exceptional teaching, innovative research, and strong commitment to university services. Professor Villaseñor Black is also editor of Aztlán: A Journal of Chicano Studies, and founding editor-in-chief of Latin American and Latinx Visual Culture (UC Press). Her most recent books include Renaissance Futurities: Art, Science, Invention and Knowledge for Justice: An Ethnic Studies Reader (both from 2019), the new 2020 edition of The Chicano Studies Reader, and Autobiography without Apology: The Personal Essay in Latino Studies, which she co-edited.
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Professor Charlene Villaseñor Black presents her paper “Sacred Art and Censorship in the Hispanic World: Mary’s Lactating Breast” as part of the History of Art Research Seminar Series. Hosted by the History of Art department and led by departmental DPhil students, the Research Seminar Series features recent work by researchers currently working in the History of Art department.
For list of works referred to in this episode see:
https://media.podcasts.ox.ac.uk/arthist/research/2022-03-24-arthist-research-sacred-art-villasenor-black-LIST_OF_WORKS.pdf
Terra Visiting Professor of American Art at the University of Oxford 2021-2022, Professor Villaseñor Black is a leading expert on a range of topics related to contemporary Latinx art, the early modern Iberian world and Chicanx studies. She is currently Professor of Art History and Chicana/o Studies at the University of California, Los Angeles. In 2016, she was awarded UCLA’s Gold Shield Faculty Prize for Academic Excellence for exceptional teaching, innovative research, and strong commitment to university services. Professor Villaseñor Black is also editor of Aztlán: A Journal of Chicano Studies, and founding editor-in-chief of Latin American and Latinx Visual Culture (UC Press). Her most recent books include Renaissance Futurities: Art, Science, Invention and Knowledge for Justice: An Ethnic Studies Reader (both from 2019), the new 2020 edition of The Chicano Studies Reader, and Autobiography without Apology: The Personal Essay in Latino Studies, which she co-edited.
History of Art: Special Lectures and Research Seminars
53 minutes
3 years ago
Sacred Art and Censorship in the Hispanic World
Professor Charlene Villaseñor Black presents her paper “Sacred Art and Censorship in the Hispanic World: Mary’s Lactating Breast” as part of the History of Art Research Seminar Series. Hosted by the History of Art department and led by departmental DPhil students, the Research Seminar Series features recent work by researchers currently working in the History of Art department.
For list of works referred to in this episode see:
https://media.podcasts.ox.ac.uk/arthist/research/2022-03-24-arthist-research-sacred-art-villasenor-black-LIST_OF_WORKS.pdf
Terra Visiting Professor of American Art at the University of Oxford 2021-2022, Professor Villaseñor Black is a leading expert on a range of topics related to contemporary Latinx art, the early modern Iberian world and Chicanx studies. She is currently Professor of Art History and Chicana/o Studies at the University of California, Los Angeles. In 2016, she was awarded UCLA’s Gold Shield Faculty Prize for Academic Excellence for exceptional teaching, innovative research, and strong commitment to university services. Professor Villaseñor Black is also editor of Aztlán: A Journal of Chicano Studies, and founding editor-in-chief of Latin American and Latinx Visual Culture (UC Press). Her most recent books include Renaissance Futurities: Art, Science, Invention and Knowledge for Justice: An Ethnic Studies Reader (both from 2019), the new 2020 edition of The Chicano Studies Reader, and Autobiography without Apology: The Personal Essay in Latino Studies, which she co-edited.
History of Art: Special Lectures and Research Seminars
Professor Charlene Villaseñor Black presents her paper “Sacred Art and Censorship in the Hispanic World: Mary’s Lactating Breast” as part of the History of Art Research Seminar Series. Hosted by the History of Art department and led by departmental DPhil students, the Research Seminar Series features recent work by researchers currently working in the History of Art department.
For list of works referred to in this episode see:
https://media.podcasts.ox.ac.uk/arthist/research/2022-03-24-arthist-research-sacred-art-villasenor-black-LIST_OF_WORKS.pdf
Terra Visiting Professor of American Art at the University of Oxford 2021-2022, Professor Villaseñor Black is a leading expert on a range of topics related to contemporary Latinx art, the early modern Iberian world and Chicanx studies. She is currently Professor of Art History and Chicana/o Studies at the University of California, Los Angeles. In 2016, she was awarded UCLA’s Gold Shield Faculty Prize for Academic Excellence for exceptional teaching, innovative research, and strong commitment to university services. Professor Villaseñor Black is also editor of Aztlán: A Journal of Chicano Studies, and founding editor-in-chief of Latin American and Latinx Visual Culture (UC Press). Her most recent books include Renaissance Futurities: Art, Science, Invention and Knowledge for Justice: An Ethnic Studies Reader (both from 2019), the new 2020 edition of The Chicano Studies Reader, and Autobiography without Apology: The Personal Essay in Latino Studies, which she co-edited.
