Although much of the conflict of urban life is focused on public space there’s a lot to be said for the negotiations we all maintain indoors. Through the restaurant kitchen downstairs or the noisy neighbor next door the city tends to extend inside. This episode is sort of an audio gatecrashing, I’m inviting myself into a few Odes[s]an interiors, and you listeners are welcome to join me.
All content for Here There Be Dragons is the property of Jessica Myers and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Although much of the conflict of urban life is focused on public space there’s a lot to be said for the negotiations we all maintain indoors. Through the restaurant kitchen downstairs or the noisy neighbor next door the city tends to extend inside. This episode is sort of an audio gatecrashing, I’m inviting myself into a few Odes[s]an interiors, and you listeners are welcome to join me.
The subway can tell you a lot about the geography of a city. Who gets off where and why? But at the central station all those wires get crossed and people are there for all types of reasons to work, to shop, to hustle, to hand out, to protest, to get out as fast as possible.
So T-Centalen ticks a lot of factors on the Stockholm spectrum between fear and security. 1) Crowded and 2) Unpredictable and 3) Controlled.
We’ll be navigating all three of these as we do the unimaginable, take our time in T-Centralen.
Twitter/Instagram: @dragons_podcast
Support us: patreon.com/htbdpodcast
Sign up for our newsletter: www.htbdpodcast.com
Record a question or comment for us and send to: htdbpodcast@gmail.com
Here There Be Dragons
Although much of the conflict of urban life is focused on public space there’s a lot to be said for the negotiations we all maintain indoors. Through the restaurant kitchen downstairs or the noisy neighbor next door the city tends to extend inside. This episode is sort of an audio gatecrashing, I’m inviting myself into a few Odes[s]an interiors, and you listeners are welcome to join me.