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Hello, Print Friend
Hello, Print Friend
380 episodes
3 weeks ago
This week Miranda speaks with artist and collaborative printer Nathan Catlin—Master Printer at the LeRoy Neiman Center for Print Studies at Columbia University—whose practice spans relief, screenprint, mosaic, stained glass, and an ever-growing love affair with clay. We get into Nathan’s origin story (the heartbreak + linocut era), why the physicality of carving still feels like home, and how he keeps his own narrative prints clean and focused while helping other artists make wildly ambitious...
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Arts
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All content for Hello, Print Friend is the property of Hello, Print Friend and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
This week Miranda speaks with artist and collaborative printer Nathan Catlin—Master Printer at the LeRoy Neiman Center for Print Studies at Columbia University—whose practice spans relief, screenprint, mosaic, stained glass, and an ever-growing love affair with clay. We get into Nathan’s origin story (the heartbreak + linocut era), why the physicality of carving still feels like home, and how he keeps his own narrative prints clean and focused while helping other artists make wildly ambitious...
Show more...
Arts
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episode 241 : SGCI PUERTOGRABANDO!
Hello, Print Friend
54 minutes
8 months ago
episode 241 : SGCI PUERTOGRABANDO!
This week, Miranda speaks with Claudia Wilburn and Joseph Velasquez about the Southern Graphics Council International (SGCI)—the largest and oldest professional print organization in the United States. They discuss what makes printmakers so eager to organize and celebrate their shared passion for the medium, the 50+ year history of SGCI, and what attendees can look forward to at the upcoming SGCI conference in San Juan, Puerto Rico, happening April 2–5, 2025. Learn more about the conference o...
Hello, Print Friend
This week Miranda speaks with artist and collaborative printer Nathan Catlin—Master Printer at the LeRoy Neiman Center for Print Studies at Columbia University—whose practice spans relief, screenprint, mosaic, stained glass, and an ever-growing love affair with clay. We get into Nathan’s origin story (the heartbreak + linocut era), why the physicality of carving still feels like home, and how he keeps his own narrative prints clean and focused while helping other artists make wildly ambitious...