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Hello, Print Friend
Hello, Print Friend
380 episodes
3 weeks ago
This week Miranda speaks with artist and collaborative printer Nathan Catlin—Master Printer at the LeRoy Neiman Center for Print Studies at Columbia University—whose practice spans relief, screenprint, mosaic, stained glass, and an ever-growing love affair with clay. We get into Nathan’s origin story (the heartbreak + linocut era), why the physicality of carving still feels like home, and how he keeps his own narrative prints clean and focused while helping other artists make wildly ambitious...
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Arts
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All content for Hello, Print Friend is the property of Hello, Print Friend and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
This week Miranda speaks with artist and collaborative printer Nathan Catlin—Master Printer at the LeRoy Neiman Center for Print Studies at Columbia University—whose practice spans relief, screenprint, mosaic, stained glass, and an ever-growing love affair with clay. We get into Nathan’s origin story (the heartbreak + linocut era), why the physicality of carving still feels like home, and how he keeps his own narrative prints clean and focused while helping other artists make wildly ambitious...
Show more...
Arts
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episode 240 : eliza lutz
Hello, Print Friend
54 minutes
8 months ago
episode 240 : eliza lutz
This week, Miranda speaks with Eliza Lutz (they/them)—a musician, printmaker, and PhD student in linguistics based in Albuquerque, New Mexico. Eliza is also the recipient of Print Austin’s Best in Show award for their work in The Contemporary Print, an exhibition on view through March 20th. They discuss Eliza’s journey from running a record label in a streaming-dominated world and working the DIY screen-printing scene to becoming a fine printmaker, the complexities of the American healthcare ...
Hello, Print Friend
This week Miranda speaks with artist and collaborative printer Nathan Catlin—Master Printer at the LeRoy Neiman Center for Print Studies at Columbia University—whose practice spans relief, screenprint, mosaic, stained glass, and an ever-growing love affair with clay. We get into Nathan’s origin story (the heartbreak + linocut era), why the physicality of carving still feels like home, and how he keeps his own narrative prints clean and focused while helping other artists make wildly ambitious...