As a boy, Nathan Penlington had loved Choose Your Own Adventures, the literary phenomenon of the 1980s which thrust the reader into the role of main character and compelled them to make decisions and direct the flow of the story. So, when he discovered a job lot of the first 106 adventures for sale on eBay, there was never any question that he would place a bid. When the books arrived, he lost himself in the old adventures.
Yet, as he flicked through the pages, there was another story being written - for, in the margins of each book, were the scribblings of the little boy who had once owned them, a little boy by the name of Terence John Prendergast. In the margins of the books, Terence wrote jokes, hints for adventurers following the same stories as him - and, more troubling still, intimations of a tormented childhood: of the boys and teachers who had bullied him; of the things he hated about himself and had to improve; of his thoughts of suicide and his desperate need to find friends, be liked, and find somebody - anybody - to confide in.
THE BOY IN THE BOOK is Nathan's poignant recreation of the discovery of the fragments of Terence Prendergast's diary, his quest to find the lost boy, and the friendship that resulted from their first meeting. In doing so, Nathan is forced to examine his own childhood - and, as his relationship with Terence deepens, he begins to believe that the two men are not so different, and to reflect on the darkness that can exist in childhood.
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As a boy, Nathan Penlington had loved Choose Your Own Adventures, the literary phenomenon of the 1980s which thrust the reader into the role of main character and compelled them to make decisions and direct the flow of the story. So, when he discovered a job lot of the first 106 adventures for sale on eBay, there was never any question that he would place a bid. When the books arrived, he lost himself in the old adventures.
Yet, as he flicked through the pages, there was another story being written - for, in the margins of each book, were the scribblings of the little boy who had once owned them, a little boy by the name of Terence John Prendergast. In the margins of the books, Terence wrote jokes, hints for adventurers following the same stories as him - and, more troubling still, intimations of a tormented childhood: of the boys and teachers who had bullied him; of the things he hated about himself and had to improve; of his thoughts of suicide and his desperate need to find friends, be liked, and find somebody - anybody - to confide in.
THE BOY IN THE BOOK is Nathan's poignant recreation of the discovery of the fragments of Terence Prendergast's diary, his quest to find the lost boy, and the friendship that resulted from their first meeting. In doing so, Nathan is forced to examine his own childhood - and, as his relationship with Terence deepens, he begins to believe that the two men are not so different, and to reflect on the darkness that can exist in childhood.
PROMISE ME by Jill Mansell, read by Katherine Press - audiobook extract
Headline Books
1 minute 36 seconds
2 years ago
PROMISE ME by Jill Mansell, read by Katherine Press - audiobook extract
One minute Lou is happily employed, with a perfect flat. The next, her home and job have gone. Suddenly she has to start over.
The last thing Lou wants is to move to a tiny Cotswolds village. She certainly doesn't intend to work for curmudgeonly eighty-year-old Edgar Allsopp. But Edgar is about to make her the kind of promise nobody could ignore. In return, she secretly vows to help him fall in love with life again.
Foxwell is also home to Remy, whose charm and charisma are proving hard to ignore. But Lou hasn't recovered from the last time she fell for a charmer. She needs a distraction - and luckily one's about to turn up.
Secrets never stay hidden for long in Foxwell, nor are promises always kept. And no one could guess what lies ahead...
Headline Books
As a boy, Nathan Penlington had loved Choose Your Own Adventures, the literary phenomenon of the 1980s which thrust the reader into the role of main character and compelled them to make decisions and direct the flow of the story. So, when he discovered a job lot of the first 106 adventures for sale on eBay, there was never any question that he would place a bid. When the books arrived, he lost himself in the old adventures.
Yet, as he flicked through the pages, there was another story being written - for, in the margins of each book, were the scribblings of the little boy who had once owned them, a little boy by the name of Terence John Prendergast. In the margins of the books, Terence wrote jokes, hints for adventurers following the same stories as him - and, more troubling still, intimations of a tormented childhood: of the boys and teachers who had bullied him; of the things he hated about himself and had to improve; of his thoughts of suicide and his desperate need to find friends, be liked, and find somebody - anybody - to confide in.
THE BOY IN THE BOOK is Nathan's poignant recreation of the discovery of the fragments of Terence Prendergast's diary, his quest to find the lost boy, and the friendship that resulted from their first meeting. In doing so, Nathan is forced to examine his own childhood - and, as his relationship with Terence deepens, he begins to believe that the two men are not so different, and to reflect on the darkness that can exist in childhood.
