As a boy, Nathan Penlington had loved Choose Your Own Adventures, the literary phenomenon of the 1980s which thrust the reader into the role of main character and compelled them to make decisions and direct the flow of the story. So, when he discovered a job lot of the first 106 adventures for sale on eBay, there was never any question that he would place a bid. When the books arrived, he lost himself in the old adventures.
Yet, as he flicked through the pages, there was another story being written - for, in the margins of each book, were the scribblings of the little boy who had once owned them, a little boy by the name of Terence John Prendergast. In the margins of the books, Terence wrote jokes, hints for adventurers following the same stories as him - and, more troubling still, intimations of a tormented childhood: of the boys and teachers who had bullied him; of the things he hated about himself and had to improve; of his thoughts of suicide and his desperate need to find friends, be liked, and find somebody - anybody - to confide in.
THE BOY IN THE BOOK is Nathan's poignant recreation of the discovery of the fragments of Terence Prendergast's diary, his quest to find the lost boy, and the friendship that resulted from their first meeting. In doing so, Nathan is forced to examine his own childhood - and, as his relationship with Terence deepens, he begins to believe that the two men are not so different, and to reflect on the darkness that can exist in childhood.
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As a boy, Nathan Penlington had loved Choose Your Own Adventures, the literary phenomenon of the 1980s which thrust the reader into the role of main character and compelled them to make decisions and direct the flow of the story. So, when he discovered a job lot of the first 106 adventures for sale on eBay, there was never any question that he would place a bid. When the books arrived, he lost himself in the old adventures.
Yet, as he flicked through the pages, there was another story being written - for, in the margins of each book, were the scribblings of the little boy who had once owned them, a little boy by the name of Terence John Prendergast. In the margins of the books, Terence wrote jokes, hints for adventurers following the same stories as him - and, more troubling still, intimations of a tormented childhood: of the boys and teachers who had bullied him; of the things he hated about himself and had to improve; of his thoughts of suicide and his desperate need to find friends, be liked, and find somebody - anybody - to confide in.
THE BOY IN THE BOOK is Nathan's poignant recreation of the discovery of the fragments of Terence Prendergast's diary, his quest to find the lost boy, and the friendship that resulted from their first meeting. In doing so, Nathan is forced to examine his own childhood - and, as his relationship with Terence deepens, he begins to believe that the two men are not so different, and to reflect on the darkness that can exist in childhood.
HENRY VIII written by Alison Weir, narrated by Elliot Fitzpatrick - audiobook extract
Headline Books
2 minutes 53 seconds
2 years ago
HENRY VIII written by Alison Weir, narrated by Elliot Fitzpatrick - audiobook extract
Six wives. One King. You know their stories. Now it's time to hear his.
The magnificent new Tudor novel from the author of the Sunday Times-bestselling Six Tudor Queens series.
A second son, not born to rule, becomes a man, and a king...
In grand royal palaces, Prince Harry grows up dreaming of knights and chivalry - and the golden age of kings that awaits his older brother. But Arthur's untimely death sees Harry crowned King Henry of England.
As his power and influence extends, so commences a lifelong battle between head and heart, love and duty. Henry rules by divine right, yet his prayers for a son go unanswered.
The great future of the Tudor dynasty depends on an heir. And the crown weighs heavy on a king with all but his one true desire.
HENRY VIII. HIS STORY.
Alison Weir's most ambitious Tudor novel yet reveals the captivating story of a man who was by turns brilliant, romantic, and ruthless: the king who changed England forever.
Headline Books
As a boy, Nathan Penlington had loved Choose Your Own Adventures, the literary phenomenon of the 1980s which thrust the reader into the role of main character and compelled them to make decisions and direct the flow of the story. So, when he discovered a job lot of the first 106 adventures for sale on eBay, there was never any question that he would place a bid. When the books arrived, he lost himself in the old adventures.
Yet, as he flicked through the pages, there was another story being written - for, in the margins of each book, were the scribblings of the little boy who had once owned them, a little boy by the name of Terence John Prendergast. In the margins of the books, Terence wrote jokes, hints for adventurers following the same stories as him - and, more troubling still, intimations of a tormented childhood: of the boys and teachers who had bullied him; of the things he hated about himself and had to improve; of his thoughts of suicide and his desperate need to find friends, be liked, and find somebody - anybody - to confide in.
THE BOY IN THE BOOK is Nathan's poignant recreation of the discovery of the fragments of Terence Prendergast's diary, his quest to find the lost boy, and the friendship that resulted from their first meeting. In doing so, Nathan is forced to examine his own childhood - and, as his relationship with Terence deepens, he begins to believe that the two men are not so different, and to reflect on the darkness that can exist in childhood.
