As a boy, Nathan Penlington had loved Choose Your Own Adventures, the literary phenomenon of the 1980s which thrust the reader into the role of main character and compelled them to make decisions and direct the flow of the story. So, when he discovered a job lot of the first 106 adventures for sale on eBay, there was never any question that he would place a bid. When the books arrived, he lost himself in the old adventures.
Yet, as he flicked through the pages, there was another story being written - for, in the margins of each book, were the scribblings of the little boy who had once owned them, a little boy by the name of Terence John Prendergast. In the margins of the books, Terence wrote jokes, hints for adventurers following the same stories as him - and, more troubling still, intimations of a tormented childhood: of the boys and teachers who had bullied him; of the things he hated about himself and had to improve; of his thoughts of suicide and his desperate need to find friends, be liked, and find somebody - anybody - to confide in.
THE BOY IN THE BOOK is Nathan's poignant recreation of the discovery of the fragments of Terence Prendergast's diary, his quest to find the lost boy, and the friendship that resulted from their first meeting. In doing so, Nathan is forced to examine his own childhood - and, as his relationship with Terence deepens, he begins to believe that the two men are not so different, and to reflect on the darkness that can exist in childhood.
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As a boy, Nathan Penlington had loved Choose Your Own Adventures, the literary phenomenon of the 1980s which thrust the reader into the role of main character and compelled them to make decisions and direct the flow of the story. So, when he discovered a job lot of the first 106 adventures for sale on eBay, there was never any question that he would place a bid. When the books arrived, he lost himself in the old adventures.
Yet, as he flicked through the pages, there was another story being written - for, in the margins of each book, were the scribblings of the little boy who had once owned them, a little boy by the name of Terence John Prendergast. In the margins of the books, Terence wrote jokes, hints for adventurers following the same stories as him - and, more troubling still, intimations of a tormented childhood: of the boys and teachers who had bullied him; of the things he hated about himself and had to improve; of his thoughts of suicide and his desperate need to find friends, be liked, and find somebody - anybody - to confide in.
THE BOY IN THE BOOK is Nathan's poignant recreation of the discovery of the fragments of Terence Prendergast's diary, his quest to find the lost boy, and the friendship that resulted from their first meeting. In doing so, Nathan is forced to examine his own childhood - and, as his relationship with Terence deepens, he begins to believe that the two men are not so different, and to reflect on the darkness that can exist in childhood.
BETWEEN THE CHALK AND THE SEA by Gail Simmons, read by Fenella Fudge - audiobook extract
Headline Books
5 minutes 53 seconds
2 years ago
BETWEEN THE CHALK AND THE SEA by Gail Simmons, read by Fenella Fudge - audiobook extract
An old map. A lost pilgrimage route. A journey in search of our walking heritage.
When Henry VIII banned pilgrimage in 1538, he ended not only a centuries-old tradition of walking as an act of faith, but a valuable chance to discover the joy of walking as an escape from the burdens of everyday life.
Much was lost when these journeys faded from our collective memory, but clues to our past remain. On an antique map in Oxford's Bodleian Library, a faint red line threading through towns and villages between Southampton and Canterbury suggests a significant, though long-forgotten, road. Renamed the Old Way, medieval pilgrims are thought to have travelled this route to reach the celebrated shrine of Thomas Becket.
Described as England's Camino, this long-distance footpath carves through one of the nation's most iconic landscapes—one that links prehistoric earthworks, abandoned monasteries, Saxon churches, ruined castles and historic seaports.
Over four seasons, travel writer Gail Simmons walks the Old Way to rediscover what a long journey on foot offers us today. In the age of the car, what does it mean to embrace 'slow travel'? Why does being a woman walking alone still feel like a radical act? In an age when walking connects the nation, can we now reclaim pilgrimage as a secular act?
Winding 250 miles between the chalk hills and shifting seascapes of the south coast, Gail ventures deep into our past, exploring this lost path and telling a story of kings and knights, peasants and pilgrims, of ancient folklore and modern politics. Blending history, anthropology, etymology and geology, Gail's walk along the Old Way reveals the rich natural and cultural heritage found on our own doorstep.
Headline Books
As a boy, Nathan Penlington had loved Choose Your Own Adventures, the literary phenomenon of the 1980s which thrust the reader into the role of main character and compelled them to make decisions and direct the flow of the story. So, when he discovered a job lot of the first 106 adventures for sale on eBay, there was never any question that he would place a bid. When the books arrived, he lost himself in the old adventures.
Yet, as he flicked through the pages, there was another story being written - for, in the margins of each book, were the scribblings of the little boy who had once owned them, a little boy by the name of Terence John Prendergast. In the margins of the books, Terence wrote jokes, hints for adventurers following the same stories as him - and, more troubling still, intimations of a tormented childhood: of the boys and teachers who had bullied him; of the things he hated about himself and had to improve; of his thoughts of suicide and his desperate need to find friends, be liked, and find somebody - anybody - to confide in.
THE BOY IN THE BOOK is Nathan's poignant recreation of the discovery of the fragments of Terence Prendergast's diary, his quest to find the lost boy, and the friendship that resulted from their first meeting. In doing so, Nathan is forced to examine his own childhood - and, as his relationship with Terence deepens, he begins to believe that the two men are not so different, and to reflect on the darkness that can exist in childhood.
