A discussion about the reality of shooting film for paid work. Whether it's 35mm for event coverage, 120 for editorial shoots, large format commercial work, or Super-8 wedding documentary... I share some thoughts about the subject and my own experience.

From a Youtube video available on my channel Pushing Film -- Try Pixpa FREE for 15 days using my link to create your own websites, client galleries, online stores and blogs. Get 50% OFF on annual plans when you subscribe with the promo code PXREF50 -- -- Artlist.io - High-quality music & SFX for your projects. Get 2 months FREE when you join Artlist using this link! ►SUPPORT ☕ Buy me a Coffee - https://www.buymeacoffee.com/pushingfilm 👕 Merch Shop - https://pushingfilm.myspreadshop.com 📘 Buy my Zine - https://www.exaframe.com/product/sundriedstrip ►LINKS 📺 My Personal Youtube channel 🧾 My Blog ►SOCIAL 💬 Join the Pushing Film Discord Server 📷 Pushing Film on Instagram, Twitter @pushingfilm https://www.instagram.com/pushingfilm/ https://twitter.com/pushingfilm 📷 Hashem on Instagram - @hashemmcadam https://www.instagram.com/hashemmcadam/ ►CHAPTERS 00:00 - Intro 01:09 - Why? 02:39 - Who? 06:03 - How? 09:07 - Gear, workflow 11:53 - Charging 14:56 - Things that go wrong 17:53 - Conclusion