Harmonically Speaking is the podcast that meets high achievers from the field of music and gives listeners an insight into their lives.
Hosted by clarinettist Macdara Ó Seireadáin each episode explores what sparked their passion, their career to date and their future plans, as well as challenges and setbacks they have faced along the way.
With a wide range of guests from orchestral musicians and soloists, to conductors, administrators, instrument makers and more, this podcast aims to educate and inspire fellow musicians, aficionados and anyone who is curious about what a life in music really entails.
Hosted on Acast. See acast.com/privacy for more information.
Harmonically Speaking is the podcast that meets high achievers from the field of music and gives listeners an insight into their lives.
Hosted by clarinettist Macdara Ó Seireadáin each episode explores what sparked their passion, their career to date and their future plans, as well as challenges and setbacks they have faced along the way.
With a wide range of guests from orchestral musicians and soloists, to conductors, administrators, instrument makers and more, this podcast aims to educate and inspire fellow musicians, aficionados and anyone who is curious about what a life in music really entails.
Hosted on Acast. See acast.com/privacy for more information.
My guest today is director of the Royal Irish Academy of Music, and current President of the European Association of Conservatoires, Deborah Kelleher
A native of Dublin, she studied music in Trinity College Dublin, later becoming a teaching fellow in UCD, whilst also teaching in the then DIT College of Music, and working in FM3, the precursor to RTE Lyric FM.
However, her sights were always set on leadership, which compelled her to study an MBA and in 2010, in the midst of the Great Recession she became director of the RIAM. Under her stewardship, the Academy has became an associate college of Trinity College Dublin, curricula has been reformed, and most noticeably, the city centre campus has been redeveloped, doubling its teaching and practice studios, and adding new rehearsal and performances spaces, including the Whyte Recital Hall.
Curious to know more about her journey, the unseen reality of leading an artistic institution, and the challenges facing conservatoires and artists in the future,, I sat down with Deborah where I began by asking how she started playing music…
Hosted on Acast. See acast.com/privacy for more information.
