Timings for the SoundCloud audio version of Rhythm Guitar Lesson 1b:
00:00:22 Using Eartrainer to practise the rhythm of a piece separated from the melody
00:01:08 A simple idea for practising rhythm
00:01:22 Starting with a bar of 4/4 and then throwing in some 8th notes
00:02:28 Using the offbeat and how to play challenging rhythms
00:02:58 Riff from Human by the Killers and timing it right
00:03:40 The 8th note at the beginning of the riff that isn't heard
00:05:10 Sing the rhythms - do it in your head
00:05:20 Sixteenth notes starting on the offbeat can be tricky
00:05:43 Start of our Funk mini study
00:06:39 Yngwie's quote: "groove or die"
00:07:21 Right hand playing, percussive hits in funk music
00:07:51 Sixteenth notes with accents on the beat
00:08:26 Make the right hand consistent, lock in with drums / metronome
00:11:12 Demo of the same funk groove with and without the percussive notes
00:13:00 All this kind of practise helps to instil a sense of pulse
00:13:57 What does a drummer do when he is performing fills?
00:14:09 Demo of acting like a drummer
00:15:18 Playing funk solos in this way is a great way to practise
00:17:00 Dan's advice to listen to Cory Wong - will share in our show-notes
00:19:31 There is life beyond power chords
Here is the second half of the lesson: Dan gives us some reminders for your practice and how to play 16th funk strumming patterns with confidence and so that they sound groovy. Dan demonstrates what we’re aiming for when developing an inner pulse through a funk improvisation in which he mirrors what a drummer is thinking when they support a funky track with fills and mini solos. I have been adding to my own new practice regime lots of metronome work based on what we will discuss next time.
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Timings for the SoundCloud audio version of Rhythm Guitar Lesson 1b:
00:00:22 Using Eartrainer to practise the rhythm of a piece separated from the melody
00:01:08 A simple idea for practising rhythm
00:01:22 Starting with a bar of 4/4 and then throwing in some 8th notes
00:02:28 Using the offbeat and how to play challenging rhythms
00:02:58 Riff from Human by the Killers and timing it right
00:03:40 The 8th note at the beginning of the riff that isn't heard
00:05:10 Sing the rhythms - do it in your head
00:05:20 Sixteenth notes starting on the offbeat can be tricky
00:05:43 Start of our Funk mini study
00:06:39 Yngwie's quote: "groove or die"
00:07:21 Right hand playing, percussive hits in funk music
00:07:51 Sixteenth notes with accents on the beat
00:08:26 Make the right hand consistent, lock in with drums / metronome
00:11:12 Demo of the same funk groove with and without the percussive notes
00:13:00 All this kind of practise helps to instil a sense of pulse
00:13:57 What does a drummer do when he is performing fills?
00:14:09 Demo of acting like a drummer
00:15:18 Playing funk solos in this way is a great way to practise
00:17:00 Dan's advice to listen to Cory Wong - will share in our show-notes
00:19:31 There is life beyond power chords
Here is the second half of the lesson: Dan gives us some reminders for your practice and how to play 16th funk strumming patterns with confidence and so that they sound groovy. Dan demonstrates what we’re aiming for when developing an inner pulse through a funk improvisation in which he mirrors what a drummer is thinking when they support a funky track with fills and mini solos. I have been adding to my own new practice regime lots of metronome work based on what we will discuss next time.
Video Guitar Lesson 17, part 2: Solo Acoustic Ideas - Using A Looper Pedal
Guitar Lessons with Tune in, Tone up!
1 hour 11 minutes 2 seconds
6 years ago
Video Guitar Lesson 17, part 2: Solo Acoustic Ideas - Using A Looper Pedal
In this lesson, Dan helps me out with my acoustic sound for a performance I have been asked to do for my sister-in-law’s wedding. I am performing several songs at the front of their service some of which they have chosen and some of which they have asked me to come up with. As there is a delay on publishing our episodes, this comes after I have actually done the performance and it went very well, particularly because of Dan’s excellent advice and suggestion to use a looper pedal which I followed.
In the second part of this lesson, we take a look at how to arrange multiple parts for the looper pedal performance, particularly covering “Something” by the Beatles.
In the end, the performance was of the following songs:
1) ‘Something’ by the Beatles: Played while the wedding party awaited the arrival of the bride
2) ‘Textbook’ by We Are Scientists: Played as my sister-in-law walked up the aisle
3) ‘Pretty Ugly Before’ by Elliott Smith: Played while the register was being signed
4) ‘I Don’t Want to Know’ by Fleetwood Mac: Played as everyone left
Most songs were played using my Boss RC30 to create a long loop, then some layers added to this on the fly along with some melodic playing and improvisation. On ‘Textbook’ the Looper was not utilised but I used reverb, chorus and a bit of delay to build the atmosphere. The acoustic amp I use is the Marshall AS100D which is great and has an effects loop with the downside of being very heavy.
Timings
00:01:05 Equipment which I have bought to the lesson: Gibson J45, Looper RC30, Marshall AS100D
00:01:51 Outlining the four songs I'm doing as part of this performance
00:03:11 Advantages and disadvantages to playing acoustic rather than electric
00:05:55 An experiment to discover what will happen when I push the AS100D a little harder
00:06:41 The low "A" note bass response feedback and how to solve using a soundhole cover
00:11:42 Alternative idea - you could use a volume pedal
00:12:47 Experimenting with the controls on the AS100D
00:17:49 Dan demonstrating 'digging in' on an acoustic
00:19:30 Another thing about the settings on your amp: you want the amp set so you can use "touch" to control the volume and response
00:21:11 Getting onto the songs with the looper
00:24:31 Dan's first go with the looper playing “Something” by the Beatles
00:25:56 Dan's second loop with correct start and end
00:29:23 Identifying the double stops which Dan was using
00:32:09 Dan's suggestion to layer the Am section
00:33:39 Overdubbing the Am section
00:37:47 Dan harmonising the melody of the singer using guitar loops overdubbed
00:44:02 Breakdown of the Am part
00:46:16 Quick discussion about the key change and whether to include it
00:48:04 Considering other equipment like amps, pedals and different types of guitar instruments to get used to in their own right
00:51:27 “Textbook” by We are Scientists
00:52:06 “Pretty Ugly Before” by Elliott Smith
00:56:11 Dan recording a generic chord progression and the value of double stops on acoustic
00:56:27 a) using single notes
00:56:52 b) up an octave
00:57:33 c) using sixths (interval)
00:58:00 d) using arpeggios
00:58:29 e) some more double stops
00:58:57 f) using arpeggiated triads
00:59:11 g) playing quicker - e.g. sweep picking
01:00:01 h) superimposing different chords
01:00:21 i) octaves played concurrently
01:05:51 I Don't Wanna Know Fleetwood Mac
Guitar Lessons with Tune in, Tone up!
Timings for the SoundCloud audio version of Rhythm Guitar Lesson 1b:
00:00:22 Using Eartrainer to practise the rhythm of a piece separated from the melody
00:01:08 A simple idea for practising rhythm
00:01:22 Starting with a bar of 4/4 and then throwing in some 8th notes
00:02:28 Using the offbeat and how to play challenging rhythms
00:02:58 Riff from Human by the Killers and timing it right
00:03:40 The 8th note at the beginning of the riff that isn't heard
00:05:10 Sing the rhythms - do it in your head
00:05:20 Sixteenth notes starting on the offbeat can be tricky
00:05:43 Start of our Funk mini study
00:06:39 Yngwie's quote: "groove or die"
00:07:21 Right hand playing, percussive hits in funk music
00:07:51 Sixteenth notes with accents on the beat
00:08:26 Make the right hand consistent, lock in with drums / metronome
00:11:12 Demo of the same funk groove with and without the percussive notes
00:13:00 All this kind of practise helps to instil a sense of pulse
00:13:57 What does a drummer do when he is performing fills?
00:14:09 Demo of acting like a drummer
00:15:18 Playing funk solos in this way is a great way to practise
00:17:00 Dan's advice to listen to Cory Wong - will share in our show-notes
00:19:31 There is life beyond power chords
Here is the second half of the lesson: Dan gives us some reminders for your practice and how to play 16th funk strumming patterns with confidence and so that they sound groovy. Dan demonstrates what we’re aiming for when developing an inner pulse through a funk improvisation in which he mirrors what a drummer is thinking when they support a funky track with fills and mini solos. I have been adding to my own new practice regime lots of metronome work based on what we will discuss next time.