Timings for the SoundCloud audio version of Rhythm Guitar Lesson 1b:
00:00:22 Using Eartrainer to practise the rhythm of a piece separated from the melody
00:01:08 A simple idea for practising rhythm
00:01:22 Starting with a bar of 4/4 and then throwing in some 8th notes
00:02:28 Using the offbeat and how to play challenging rhythms
00:02:58 Riff from Human by the Killers and timing it right
00:03:40 The 8th note at the beginning of the riff that isn't heard
00:05:10 Sing the rhythms - do it in your head
00:05:20 Sixteenth notes starting on the offbeat can be tricky
00:05:43 Start of our Funk mini study
00:06:39 Yngwie's quote: "groove or die"
00:07:21 Right hand playing, percussive hits in funk music
00:07:51 Sixteenth notes with accents on the beat
00:08:26 Make the right hand consistent, lock in with drums / metronome
00:11:12 Demo of the same funk groove with and without the percussive notes
00:13:00 All this kind of practise helps to instil a sense of pulse
00:13:57 What does a drummer do when he is performing fills?
00:14:09 Demo of acting like a drummer
00:15:18 Playing funk solos in this way is a great way to practise
00:17:00 Dan's advice to listen to Cory Wong - will share in our show-notes
00:19:31 There is life beyond power chords
Here is the second half of the lesson: Dan gives us some reminders for your practice and how to play 16th funk strumming patterns with confidence and so that they sound groovy. Dan demonstrates what we’re aiming for when developing an inner pulse through a funk improvisation in which he mirrors what a drummer is thinking when they support a funky track with fills and mini solos. I have been adding to my own new practice regime lots of metronome work based on what we will discuss next time.
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Timings for the SoundCloud audio version of Rhythm Guitar Lesson 1b:
00:00:22 Using Eartrainer to practise the rhythm of a piece separated from the melody
00:01:08 A simple idea for practising rhythm
00:01:22 Starting with a bar of 4/4 and then throwing in some 8th notes
00:02:28 Using the offbeat and how to play challenging rhythms
00:02:58 Riff from Human by the Killers and timing it right
00:03:40 The 8th note at the beginning of the riff that isn't heard
00:05:10 Sing the rhythms - do it in your head
00:05:20 Sixteenth notes starting on the offbeat can be tricky
00:05:43 Start of our Funk mini study
00:06:39 Yngwie's quote: "groove or die"
00:07:21 Right hand playing, percussive hits in funk music
00:07:51 Sixteenth notes with accents on the beat
00:08:26 Make the right hand consistent, lock in with drums / metronome
00:11:12 Demo of the same funk groove with and without the percussive notes
00:13:00 All this kind of practise helps to instil a sense of pulse
00:13:57 What does a drummer do when he is performing fills?
00:14:09 Demo of acting like a drummer
00:15:18 Playing funk solos in this way is a great way to practise
00:17:00 Dan's advice to listen to Cory Wong - will share in our show-notes
00:19:31 There is life beyond power chords
Here is the second half of the lesson: Dan gives us some reminders for your practice and how to play 16th funk strumming patterns with confidence and so that they sound groovy. Dan demonstrates what we’re aiming for when developing an inner pulse through a funk improvisation in which he mirrors what a drummer is thinking when they support a funky track with fills and mini solos. I have been adding to my own new practice regime lots of metronome work based on what we will discuss next time.
Guitar lesson on improvising with emotion, creativity, rhythm to tell a story
Guitar Lessons with Tune in, Tone up!
43 minutes 31 seconds
3 years ago
Guitar lesson on improvising with emotion, creativity, rhythm to tell a story
Dan always has such brilliant nuggets of information to share with us and this episode holds some immensely valuable and powerful thoughts and ideas. After a brief recap we have a round of improvisation which leads our discussion to pickup choice and tonal differentiation. Dan shares some ideas about how you can gain different sounds with your technique and touch.
Then we discuss rhythmic motifs and grouping notes to gain interest and be more sensitive to what the track is doing. This leads us to discuss how you must listen actively and deeply to a track to really consider what the tone of the piece is and how the instrumentation of it allows space for improvising. First Dan talks about trying to label the emotion of a track and then he really highlights to me that the main driver of a musician is that they have something to say and want to express themselves through their music.
Dan talks about how you can use rhythm, volume, dynamics and tone as the vehicle to deliver your story. Phrasing is key but nuance and subtlety can be very effective for really giving the listener something to grasp onto.
Timings for the SoundCloud audio version
00:01:22 Brief recap
00:04:09 Last couple of episodes we were adding the 2nd / 9th, Blues note and 6th
00:06:33 How can we add a little style and technique
00:07:26 First round of soloing over the backing track
00:11:12 Be your best judge - look at your playing and be honest
00:12:59 Pickup choice for tonal differentiation
00:13:53 Playing 12 frets higher over the fingerboard to get a clarinet like sound
00:14:47 Jingle jangle - play near the bridge
00:15:18 changing your pick up is a good way to change your tone
00:18:09 Rhythm of playing a melody - grouping notes, Dan demoing a noodling shambles
00:19:12 You have got to listen to the track - what's the track saying?
00:19:24 Gary mentioning Dan tells a good story when he improvises
00:20:07 Labelling the emotion of a song
00:21:48 Funkadelic - Maggotbrain
00:22:25 Bowie's guitarist
00:23:13 Tell a story through the guitar melody and improvisation
00:23:33 e.g. Imagine you're in a disaster scenario
00:23:56 Think about what you're playing over and be sympathetic to what you're playing over
00:24:28 Second round of improv
00:31:36 Talk techniques next time
00:32:41 The main driver of music is we have something to say and want to express ourselves through our music
00:34:01 Think of a song like a book - a beginning, a middle and an end
00:34:58 Dan's advice for Gary is to remember that the biggest difference you can make in improvising is through rhythm, volume, dynamics and tone
00:36:37 Dan demoing how the dynamics can be controlled by a mix of volume and playing lightly or digging in
00:37:36 Use nuance, subtlety and change your tone through your technique - playing softly and disguising the gain
00:38:51 Leave yourself headroom and limit your finger noise using the volume knob and nuance in your playing
00:39:55 Homework: play over a backing track focussing on volume, subtlety and different sounds
00:41:14 Try to tell a story in your playing and practise trying to play with emotion
Guitar Lessons with Tune in, Tone up!
Timings for the SoundCloud audio version of Rhythm Guitar Lesson 1b:
00:00:22 Using Eartrainer to practise the rhythm of a piece separated from the melody
00:01:08 A simple idea for practising rhythm
00:01:22 Starting with a bar of 4/4 and then throwing in some 8th notes
00:02:28 Using the offbeat and how to play challenging rhythms
00:02:58 Riff from Human by the Killers and timing it right
00:03:40 The 8th note at the beginning of the riff that isn't heard
00:05:10 Sing the rhythms - do it in your head
00:05:20 Sixteenth notes starting on the offbeat can be tricky
00:05:43 Start of our Funk mini study
00:06:39 Yngwie's quote: "groove or die"
00:07:21 Right hand playing, percussive hits in funk music
00:07:51 Sixteenth notes with accents on the beat
00:08:26 Make the right hand consistent, lock in with drums / metronome
00:11:12 Demo of the same funk groove with and without the percussive notes
00:13:00 All this kind of practise helps to instil a sense of pulse
00:13:57 What does a drummer do when he is performing fills?
00:14:09 Demo of acting like a drummer
00:15:18 Playing funk solos in this way is a great way to practise
00:17:00 Dan's advice to listen to Cory Wong - will share in our show-notes
00:19:31 There is life beyond power chords
Here is the second half of the lesson: Dan gives us some reminders for your practice and how to play 16th funk strumming patterns with confidence and so that they sound groovy. Dan demonstrates what we’re aiming for when developing an inner pulse through a funk improvisation in which he mirrors what a drummer is thinking when they support a funky track with fills and mini solos. I have been adding to my own new practice regime lots of metronome work based on what we will discuss next time.