Hey, hey, hey, a wild ride is on the way with this episode of Guilty Pleasures! Join Stephanie, Jack, and Kelly as they take a bite out of the bizarre and bewildering 1980 musical oddity,The Apple. Set in a dystopian 1994 where the music industry reigns supreme, this film is a kaleidoscope of disco, biblical allegories, and questionable songwriting that gives your hosts plenty to talk about... but is any of it GOOD?
Kelly and Jack share their reactions to the film's outrageous fashion choices, perplexing character arcs, and uncomfortable moments. Meanwhile, Stephanie tries to defend the film against an onslaught of abuse, but can she make a compelling case thatThe Apple is so bad it's good and not just plain BAD?
The conversation is peppered with laughter, debate, and disbelief as the trio navigates through the film's ridiculous musical numbers, including the infamous "BIM" anthem that will stick in your head long after the episode ends. But if you're anything like Jack and Kelly, that may inspire more rage than respect.
Join the Guilty Pleasures Crew as they grapple with the absurdity ofThe Apple and try to get to the core of the matter, deciding if it's a guilty pleasure worth revisiting or a cinematic disaster best left forgotten.
Is "The Apple" an actual, actual, actual trainwreck?
Welcome to another episode of No Notes, where Stephanie, Kelly, and Jack take a break from dissecting guilty pleasures to delve into some cinematic treasures. This holiday season, Kelly takes center stage with her selection of three lesser-known Christmas specials that promise to warm your heart and tickle your funny bone.
First up, we have Emmett Otter's Jug-Band Christmas, a charming tale featuring Jim Henson's magical Muppets and the melodic genius of Paul Williams. This special offers a unique twist on the classic "Gift of the Magi" story and introduces us to the greatest fictional band ever—the River Bottom Nightmare Band. The hosts explore the deeper themes of poverty and resilience, all wrapped up in a heartwarming holiday package.
Next, Kelly presents the delightfully bizarre Opus and Bill's A Wish for Wings That Work. This oddball gem, featuring voice cameos from Robin Williams and Dustin Hoffman, is a surreal holiday experience that had Kelly's family hooked from its single TV airing. The hosts revel in its absurd humor and unexpected sincerity, making it an unforgettable addition to any holiday watchlist.
Finally, they discuss the emotional rollercoaster that is the Bob's Burgers Christmas episode, "The Plight Before Christmas." This episode captures the chaos of holiday scheduling conflicts and the profound love within the Belcher family. The hosts reflect on the genuine, heartfelt storytelling that brings tears and laughter in equal measure.
Welcome to Guilty Pleasures, where we dive deep into the cinematic abyss to uncover the most bizarre and bewildering films that somehow capture our hearts. In this episode, Kelly takes us on an unforgettable journey through the mind-boggling 1996 holiday film Santa with Muscles, starring none other than Hulk Hogan. Prepare yourself for a wild ride as we explore this fever dream of a movie that defies logic and reason.
Join Kelly, Stephanie, and Jack as they unravel the tangled web of this so-bad-it's-good masterpiece. From Hulk Hogan's perplexing performance as a muscle-bound Santa to the film's outlandish plot twists involving crystals and orphanages, nothing is off-limits. The hosts delve into the movie's bizarre charm, its unintentional comedic moments, and its place in the guilty pleasure hall of fame.
As the discussion unfolds, the trio debates the film's merits, its impact on holiday cinema, and whether it truly embodies the essence of a guilty pleasure. They also reflect on the film's underlying themes, intentional or not, and the sheer audacity of its existence.
Grab your eggnog, gather your most sarcastic friends, and join us for a hilariously chaotic conversation that celebrates a film so absurd it must be seen to be believed. Is Santa with Muscles a guilty pleasure or a festive misfire? Tune in to find out.
Welcome to No Notes, the podcast where three cinephiles set aside guilty pleasures to discuss films that have profoundly impacted their lives. This month, Jack takes us on a journey into the mind-bending world of Christopher Nolan's 2000 masterpiece, Memento. Join Stephanie, Kelly, and Jack as they unravel the layers of this cinematic enigma, exploring its innovative narrative structure and the philosophical questions it poses.
In this episode, we delve deep into the film's exploration of memory, identity, and the human condition. We discuss the brilliance of Guy Pearce's performance as Leonard, a man grappling with short-term memory loss, and how Nolan's storytelling places us directly in Leonard's disorienting perspective. The hosts reflect on the film's ability to keep audiences guessing and its commentary on the subjective nature of reality and truth.
As the discussion unfolds, your hosts debate the film's themes of self-deception and purpose. They also explore the film's lasting legacy and its place in the pantheon of great cinema.
Join us for a thought-provoking conversation that celebrates a film that challenges perceptions and pushes the boundaries of narrative cinema.
Welcome to Guilty Pleasures, where we dive into cinema's most misunderstood gems. In this episode, Jack takes us on a journey through the 2009 cult classic Jennifer's Body . Join us as we dissect the film's initial reception, its marketing missteps, and its subsequent reevaluation as a feminist horror masterpiece.
We explore the film's themes of female empowerment, the male gaze, and the complexities of female friendship. We also delve into the performances, particularly Megan Fox's portrayal of Jennifer, and discuss the film's commentary on the objectification of women in Hollywood.
Kelly shares her mixed feelings, acknowledging the film's artistic merits while grappling with its narrative choices. Meanwhile, Stephanie passionately defends the film's subversive storytelling and its relevance in today's socio-political climate.
As the episode unfolds, your hosts debate the film's impact on audiences and its place in the horror genre, ultimately questioning what defines a guilty pleasure.
Join us for a spirited discussion that challenges perceptions and celebrates a film that continues to resonate with viewers. Is Jennifer's Body a guilty pleasure, a feminist triumph, or something else entirely? Tune in to find out.
Welcome to No Notes, where three cerebral cinephiles take a break from guilty pleasures to dive into the cinematic treasures that have left an indelible mark on our lives. This episode, Stephanie takes the helm to guide us through the hauntingly beautiful world of Jim Jarmusch's 2013 film, Only Lovers Left Alive. Join Stephanie, Kelly, and Jack as they delve into the film's exploration of vampirism as a metaphor for the human condition, examining the paradoxes of existence through the eyes of the ancient lovers Adam and Eve.
Jarmusch weaves a love letter to human creativity and its power to transcend time. We consider the film’s poetic nature, commentary on art, and the profound impact of its melancholic yet hopeful storytelling.
Pour yourself a glass of something rich and join us as we celebrate a film that invites us to reflect on the beauty and complexity of life itself. Is Only Lovers Left Alive a no-notes masterpiece? Tune in to find out.
Welcome to Guilty Pleasures, where we unabashedly dive into the most delightfully absurd corners of cinema. This week, we're taking a wild ride into the cosmos with Jason X, the tenth installment of the Friday the 13th franchise, where Jason Voorhees trades Crystal Lake for the vastness of space. Yes, you heard it right—Jason is in space, and it's as ludicrous as it sounds.
Join us as we dissect this cinematic oddity that catapults the iconic silent slasher into the year 2455 aboard a spaceship. In this episode, we explore the film's self-aware humor, its outrageous premise, and the sheer entertainment value it offers despite—or perhaps because of—its nonsensical plot and one-dimensional characters.
We debate whether Jason X is a misunderstood masterpiece or simply a guilty pleasure that delivers a laugh-out-loud experience for horror fans.
Our hosts are divided, with some reveling in the film's campy charm and others questioning its very existence. From virtual reality simulations gone awry to the transformation of Jason into the formidable Uber Jason, we leave no stone unturned in our quest to understand this bizarre entry in the Friday the 13th saga.
We also discuss how well it fares against October's other Guilty Pleasure pick: Halloween Resurrection.
So, grab your popcorn and join us for a journey into the absurd as we decide if Jason X deserves a place in the pantheon of guilty pleasures or if it should be jettisoned into the void of space.
Welcome to Guilty Pleasures, where we dive headfirst into the cinematic abyss to uncover the hidden joys of films that are often maligned. This episode is a special treat as we celebrate Stephanie's birthday month with a double feature of epic proportions. Prepare yourself for a slasher showdown as we pit two infamous entries from horror's heavyweight franchises against each other: Halloween: Resurrection and Jason X.
In part one, we discuss Halloween: Resurrection, serving up a blend of early 2000s reality TV culture and slasher tropes, featuring the unforgettable showdown between Busta Rhymes and Michael Myers. In part two, we'll tackle Jason X — a film the catapults the iconic killer into the far reaches of space for a sci-fi horror spectacle that's out of this world.
Join us as we dissect the absurdity, the camp, and the unexpected charm of these films. Are they misunderstood masterpieces or just cinematic missteps? From the curious decisions that lead to Laurie's controversial fate to the space-age antics of Jason Voorhees, we leave no stone unturned in our quest to crown the ultimate guilty pleasure.
Will Stephanie's picks win over her skeptical co-hosts, or will they remain unconvinced? Tune in to find out!
Welcome to No Notes, where three cerebral cinephiles take a break from guilty pleasures to revel in cinematic treasures. In this episode, Kelly takes us on a nostalgic journey with Frank Capra's timeless classic, "Arsenic and Old Lace." Join us as we explore the film's genius, from Cary Grant's unparalleled comedic performance to the cozy, timeless world Capra creates.
We delve into the film's meta humor, the charmingly macabre antics of the Brewster family, and the endearing madness that envelops everyone who steps into their home. With its pitch-perfect comedic timing, clever writing, and stellar cast, "Arsenic and Old Lace" proves to be a masterpiece that continues to enchant audiences.
So grab a cup of hot cocoa, snuggle under a blanket, and embrace the delightful madness of this cinematic gem. No notes!
💬 Show Notes
Welcome to Guilty Pleasures, the podcast where we dive into the wild and wacky world of cinema, celebrating the films that make us cringe, laugh, and cheer.
This week, we’re dissecting the utterly bonkers and blood-soaked spectacle that is "Here for Blood". From wrestling babysitters to sex perverts and everything in between, this movie is a chaotic rollercoaster that leaves no stone unturned and no jaw undropped.
Join us as we navigate through the madness, debating whether this film is a hidden horror heavyweight or just a moronic movie mistake. Buckle up because this ride is going to be bloody and bizarre!
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Welcome to Guilty Pleasures, the show where we give in to pleasure, rising from our coffins to discuss a modern horror film and debating just how guilty we need to feel about loving or hating it.
It was Steph’s pick this month, and she was once again desperate for any excuse to talk about the (according to her) greatest actor of our generation and possibly of any generation, Nicolas Cage.
We asked our adoring fans to choose between 2021’S PRISONERS OF THE GHOSTLAND and 2023’S RENFIELD.
In an absolute bloodbath of an online vote, RENFIELD eviscerated the competition to earn its time in the light of this podcast.
So welcome us into your ears as we find out if RENFIELD glamours us with its charms or sucks the life out of us.
Join us for Steph's pick as she introduces Kelly and Jack to one of her favorite films in recent years, starring the cinematic love of her life, Nicolas Cage, who must venture out from his life as a reclusive truffle hunter to recover his stolen beloved truffle pig — forcing him to confront a life he left behind and grapple with the nature of art, passion, grief, and life after loss.
As Stephanie argues for the film's place in the hallowed halls of cinematic perfection, she says:
“At times gut-wrenching and at other times soul-stirring, PIG touched my heart in a truly profound way.”
Join us for Kelly's pick as she serves up an all-time holiday classic, the unspeakably great Planes, Trains & Automobiles. So grab a glass of wine or even some premature eggnog, and join us as we dive into an unmissable Thanksgiving/holiday favorite on this episode of NO NOTES.
As Kelly argues for the film's place in the hallowed halls of cinematic perfection, she says:
"I've been, I've seen a million Hallmark Christmas movies that don't understand what this movie comprehends at a bone-deep genetic level. Every action is more compelling and more moving when it's anchored in fully realized and developed characters. John Hughes wrote a beautiful movie. One that has moments that make me laugh incredibly hard while also reducing me to tears every time I watch it. Each component is astonishing on its own, but combined, they create something transcendent."
Welcome to NO NOTES, the show where three cerebral cinephiles take a break from chatting guilty pleasures to discuss cinematic treasures. Each month, we’ll take turns selecting a film we believe to be virtually flawless, one that had a significant impact on our lives and/or helped shape the film lover we became.
For our third episode, it was Jack’s pick. He picked a film thundering with two-person tension, one that fills in the blockbuster gaps with small-stakes storytelling, and one that proves that sticks and stones may NOT be the only harmful things, after all.
Whether you’ve been keeping time with this podcast from the very beginning or are just now finding the tempo, we are happy to have you with us as we strike the gong and focus our percussive pontification on this No Notes pick, featuring a decidedly un-Christmas-like little drummer boy, 2014’s WHIPLASH.
Welcome to Guilty Pleasures, the show where we give in to pleasure, taking flight with a modern horror film to find out just how guilty we need to feel about loving or hating it. It was Jack’s pick this month, and he’s got us suiting up for WWII horror. We asked our adoring fans to choose between 2020’s genre-bending SHADOW IN THE CLOUD and 2019’s vampire horror BLOOD VESSEL.
In another razor-thin online vote, SHADOW IN THE CLOUD just nudged out the competition to earn its tour of operation on the podcast.
So come along for the ride as we earn our stripes and find out if SHADOW IN THE CLOUD IS a soaring pleasure or a guilty sin that crashes and burns.
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THIS MONTH'S THEMED SPIRIT: SIDECAR SALLY
Coat the rim of a coupe glass with sugar, if desired, and set aside. Add 1 1/2 ounces cognac, 3/4 ounces of orange liqueur (such as Cointreau), and 3/4 ounces of lemon juice (freshly squeezed if possible) to a shaker with ice and shake until well-chilled. Strain into the prepared glass. Garnish with an orange twist if desired. Enjoy this slightly sweet, sophisticated treat!
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VOTE FOR NEXT MONTH'S GUILTY PLEASURE!
It's Nic Cage horror, and we're picking between RENFIELD (2023) and PRISONERS OF THE GHOSTLAND (2021). Help us pick by following us on one or more of our social channels so you can participate in voting.
Our Instagram handles are:
Morbidly Beautiful @morbidlybeautifulhorror | Stephanie @srgreenhaw | Jack @jack_wells_author | Kelly @kellyemintzer
Follow Morbidly Beautiful on Twitter @xmorbidbeautyx or on Facebook.
Join the Guilty Pleasures crew as we continue the conversation, hanging out after the show, shooting the shit, and talking about all our thoughts and feelings on this month's featured film that we couldn't fit into our regular, hour-long episode.
We had an amazing time recording our BAIT episode (if you missed it, don't forget to tune in for a killer conversation). On this after-show, we talk a little about the shark film you didn’t pick, MEG (though, it’s mostly just a Jason Statham love fest). For the MEG talk, you’ll want to dive in about the 30-minute mark.
Prior to that, we discuss movies and filmmakers we love that are problematic. Plus, we talk about the good, bad, and ugly when it comes to romantic comedies and teen dramedies, new and old. We also bemoan the disrespect for goths in films like BREAKFAST CLUB and THE FACULTY.
Towards the end of the show, you’ll get some big hints about what’s coming to future NO NOTES and GUILTY PLEASURES episodes. We wrap with an ode to perfect films and briefly chat about why we love horror so much.
Welcome to Guilty Pleasures, the show where we DIVE into pleasure, CHUMMING THE WATERS OF A modern horror film to find out just how guilty we need to feel about loving or hating it.
It was Steph's pick this month, and she wanted to say farewell to summer by swimming with the sharks. We asked our adoring fans to choose between the underseen 2012 shark horror BAIT and the 2018 mega-hit MEG.
In our closest online vote yet, BAIT took a bite out of MEG to seal a narrow victory.
So buckle up, boys and girls, as we start the show and find out if BAIT is a killer pleasure or a guilty sin better left on the hook.
THIS MONTH'S THEMED SPIRIT: SHARK BITE
Place ice in a rocks glass. Pour 1 1/2 oz spiced rum over the ice. Add 3/4 oz Blue Curacao. Top off the glass with 3 ounces of sour mix. Finish with a splash of grenadine to create blood in the water. Enjoy!
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VOTE FOR NEXT MONTH'S GUILTY PLEASURE!
It's WWII horror, and we're picking between 2020's SHADOW IN THE CLOUD and 2019's BLOOD VESSEL. Help us pick by following us on one or more of our social channels so you can participate in voting.
Our Instagram handles are:
Morbidly Beautiful @morbidlybeautifulhorror | Stephanie @srgreenhaw | Jack @jack_wells_author | Kelly @kellyemintzer
Follow Morbidly Beautiful on Twitter @xmorbidbeautyx or on Facebook.
Welcome to NO NOTES, the show where three cerebral cinephiles take a break from chatting guilty pleasures to discuss cinematic treasures. Each month, we’ll take turns selecting a film we believe to be virtually flawless, one that had a significant impact on our lives and/or helped shape the film lover we became.
For our second episode, it was Kelly’s pick. She put the spotlight on the criminally underrated 1974 rock-musical-comedy-horror film PHANTOM OF THE PARADISE, directed by Brian De Palma and scored by and starring Paul Williams.
As Kelly argues for the film's place in the hallowed halls of cinematic perfection, she says:
“This movie means EVERYTHING to me. It’s so fearless and bold. Paul Williams is so funny. The visuals are so striking. The soundtrack is so catchy. There’s no lesson, and I love every goddamn second of it.”
Tune in to hear us wax poetic about this spellbinding work of renegade art and find out why we unanimously grant it NO NOTES status.
Join the Guilty Pleasures crew as we continue the conversation, hanging out after the show, shooting the shit, and talking about all our thoughts and feelings on this month's featured film that we couldn't fit into our regular, hour-long episode.
We had an amazing time recording our Dead Silence episode (if you missed it, don't forget to tune in for a killer conversation). But we had so much to say on the subject that we needed more than our scheduled hour. On this after-show, we dig deeper into this polarizing early Aughts horror film and continue to argue its merits (or lack thereof).
Then we transition into nerdy film talk, including a discussion of our new spinoff NO NOTES podcast. We also discuss anime, real-life haunted (maybe) dolls, our love of shark horror, what we've been watching and what we're excited to watch, and more!
For Wahlberg Horror Month, we asked our adoring fans to choose between Donnie doing battle with a killer doll in James Wan’s DEAD SILENCE and Marky Mark battling killer trees in the beleaguered Shamalan flick THE HAPPENING. In an online vote, DEAD SILENCE easily took center stage, leaving THE HAPPENING flapping in the wind.
So take a seat, boys and girls, as we start the show and find out if DEAD SILENCE is a killer pleasure or a guilty sin that we’re better off staying silent about.
THIS MONTH'S THEMED SPIRIT: DONNIE'S DELIGHT
Shaek 1 1/2 ounces of vodka, 1 ounce of Irish Cream, 2 ounces of chocolate liqueur, and a dash of vanilla extract in a cocktail shaker with ice. Strain the contents of the shaker into a chilled martini glass. Garnish with chocolate shavings if desired.