In this soulful and introspective episode of Good Vinyl Mornings, PL Sweets drops the needle on “Love Is a House” by The Force MD’s, transforming a timeless R&B groove into a spiritual reflection on the walls we build—and the views we miss behind them.
Beneath the smooth harmonies and slow-burning rhythm lies a lesson about love, fear, and the silent architecture of self-protection. Many of us build emotional walls after heartbreak or disappointment, thinking we’re keeping the pain out. But as PL reminds us, those same walls can block the sunlight of new beginnings. The truth is simple yet hard to face: the house you’ve built for safety may also be the one keeping love from walking through the door.
As the chorus echoes, “Love is a house, and you’ve got the key,” PL unpacks what that really means. It’s a reminder that healing and connection begin with responsibility—the willingness to unlock your own door. Protection isn’t always peace. Sometimes the fortress you’ve built for comfort becomes a quiet place of isolation. And that key? It doesn’t turn itself. Love, in all its forms—romantic, spiritual, and self-directed—requires participation. PL’s storytelling brings each lyric to life as a metaphor for emotional renovation. He paints the picture of a house that once stood strong but now needs restoration—rooms filled with memories, doors that have stayed closed too long, and windows waiting to let the light in. It’s not about tearing the walls down completely, but learning how to live within them again—with openness, trust, and purpose. By the end, the message resonates deeply: healing starts at home. Before we invite others in, we must first clean, repair, and bless the space within ourselves.
SONG OF THE DAY
Love is a House - Force MD's
Good Vinyl Mornings, Be good to yourself
PL Sweets "Love Love Love" featuring Leroy Burgess & Dungeon Jones
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In this soulful and eye-opening episode, PL Sweets spins “Work to Do” by The Isley Brothers — a timeless anthem that reminds us that blessings often come disguised as assignments. Everybody wants success, but not everyone wants the responsibility that comes with it. The groove is smooth, but the message is heavy: having work to do means you’ve been trusted with purpose.
PL breaks down how responsibility isn’t a burden — it’s proof that you’re capable, chosen, and equipped. Sometimes the very thing you prayed for shows up not as comfort, but as commitment. The promotion comes with pressure. The calling comes with challenges. But each demand is evidence of divine trust in your ability to handle more. With storytelling, soul, and that signature vinyl wisdom, PL reminds us that real blessings require stewardship — not shortcuts. When God places “work to do” in your hands, it’s because He sees potential others overlook. So, before you question your load, check your grace. The blessing may already be there — just wearing the clothes of responsibility.
SONG OF THE DAY
I Got Work To Do - The Isley Brothers
Good Vinyl Mornings, Be good to yourself
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In this gritty and motivating episode, PL Sweets drops the needle on “Grindin’” by The Clipse — a track that redefined hustle music for a generation. It’s not just about the beat; it’s about the mentality. The song’s raw percussion and unapologetic lyrics serve as the perfect soundtrack for anyone who’s ever had to claw their way from uncertainty to progress. PL unpacks the truth behind the grind — how doubt, fear, and stagnation aren’t signs to stop, but signals to push harder. When the vision feels blurry and validation is nowhere in sight, that’s when you put your head down and outwork every excuse. Because talent might open the door, but effort keeps it from closing.
This episode explores the power of consistency — those invisible hours, late nights, and early mornings where real success is forged. PL reminds us that greatness isn’t found in luck; it’s built in silence, proven in action, and echoed in results.
When in doubt? Don’t freeze. Don’t fold. Just grind.
SONG OF THE DAY
Grindin - Clipse
Good Vinyl Mornings, Be good to yourself
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In this soulful and reflective episode, PL Sweets takes a deep dive into the illusionary world of social media — the place where validation often replaces value, and filters disguise more than just our faces. Centered around “Respect Yourself” by The Staple Singers, this conversation challenges us to look beyond the curated perfection and rediscover the strength in authenticity.
PL unpacks how social platforms, while powerful tools for connection, can easily become stages of comparison — breeding self-doubt instead of self-respect. Drawing from the song’s timeless message, he reminds us that true confidence comes from the inside out. The digital applause means nothing if you’ve muted your own voice.
This episode isn’t an anti-social media rant — it’s a soulful call to recalibrate. To use your platforms with intention, not as a disguise but as an extension of who you really are. Because at the end of the day, the most powerful statement you can make is being real in a world addicted to pretending.
SONG OF THE DAY
Respect Yourself” – The Staple Singers
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In this emotionally raw episode of Good Vinyl Mornings, host PL Sweets takes us beneath the surface of pain to uncover the deeper message behind the scars we carry. Using the haunting energy of “Who Shot Ya?”, PL reimagines the track not just as a street anthem, but as a spiritual mirror — a reminder that confrontation, betrayal, and hardship can shape the very blueprint of who we become.
He explores how life’s most brutal moments — the ones that leave us bleeding, broken, or betrayed — can also forge our character. The scar isn’t just what’s left behind; it’s the evidence that healing happened. It means you faced the wound, tended to it, and grew stronger than what tried to destroy you.
PL Sweets digs into how the world often glamorizes toughness while hiding vulnerability. But true strength, he says, is the ability to show your scars without shame — to say, “I made it through.” He connects this truth to the roots of hip-hop — a culture born from wounds, oppression, and resilience — transforming pain into rhythm, and survival into poetry.
As the needle drops on Biggie’s verse, PL invites listeners to reflect on their own healing journeys. The people who hurt you don’t define you — your recovery does. The lessons are etched in your scars, not your suffering.
SONG OF THE DAY
The Notorious B.I.G. - Who Shot Ya?
David Porter - I'm Afraid the Masquerade is Over
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In this soulful episode of Good Vinyl Mornings, host PL Sweets digs into the heartbeat of a movement — the New Jack Swing era. Centered around the high-energy groove of Wreckx-n-Effect’s “New Jack Swing,” this track didn’t just make you dance — it redefined an entire generation’s sound. Produced by the legendary Teddy Riley, the song blended the raw rhythm of hip-hop with the silky harmonies of R&B, giving birth to a cultural revolution that bridged the gap between the street and the stage.
PL Sweets explores how this sound wasn’t just new — it was transformative. And yet, even with innovation comes temptation — the temptation to chase what’s shiny and new instead of honoring what’s timeless and true. Beneath the rhythm, this episode challenges listeners to look beyond trends and remember that longevity comes from substance, not flash.
With deep reflection and insight, PL Sweets ties the groove back to life: the “new thing” can be exciting, but it can also distract you from your purpose. Like the “Hector” sample that gave this hit its heartbeat, true creativity comes from knowing your roots while daring to remix your future.
SONG OF THE DAY
NEW JACK SWING - WRECKX IN EFFECT
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A Soulful Tribute Hosted by PL Sweets
In this heartfelt episode, host PL Sweets honors the life and legacy of one of soul music’s most enigmatic and transformative figures — D’Angelo. From his early beginnings with Brown Sugar to the neo-soul revolution sparked by Voodoo, we explore the genius behind the grooves — the man who redefined vulnerability, spirituality, and sensuality in Black music.
PL Sweets dives deep into how D’Angelo’s sound became a bridge between eras — blending the funk of The Ohio Players, the tenderness of Roberta Flack, and the storytelling of Smokey Robinson — while his collaborations with Rafael Saadiq and Lauryn Hill shaped a generation of artists who followed.
This tribute also reflects on his untimely passing on October 14, 2025, reminding us that true artistry never dies; it just finds a new frequency.
🕯 “The Genius of D’Angelo” is more than remembrance — it’s a celebration of timeless soul, of music that healed and haunted, and of a brother whose truth still moves through every chord.
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This morning, PL Sweets brings a solemn reminder: tomorrow is not promised, and living like it is can cost you your purpose. With “Maybe Tomorrow” by The Jackson 5 as our soundtrack, we explore urgency, hope, and what it means to act today with full heart.
“Maybe Tomorrow” was recorded in February 1971 and released in June 1971 by Motown. It became one of The Jackson 5’s most poignant ballads, peaking at #3 on the R&B charts and #20 on the Hot 100. The song’s lyrical core—“Maybe tomorrow, you’ll change your mind / Maybe tomorrow, you’ll come back to my arms”—echoes uncertainty, longing, and the fragile line between hope and resignation.
PL Sweets leans into the question this song poses: if time is fleeting, how do you live knowing every moment is precious? He drills down into how delay can become disguise—how we wait for “perfect timing,” only to find the moment passed us by. Through personal stories, reflections, and the emotional arcs in the song, PL unpacks:
Because “Maybe Tomorrow” is more than a lament—it’s wake-up music. It invites us to stop postponing life and to lean into our calling, relationships, and dreams today. Let Diana’s voice (through Michael’s youthful timbre) remind you that love, purpose, legacy—they all begin now, not later.
So press play, settle your heart, and let PL Sweets lead you through the tension of the “maybe.” This moment is yours—don’t let it slip into regret.
SONG OF THE DAY
MAYBE TOMORROW | THE JACKSON 5
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This morning, host PL Sweets invites you into a moment of rest—not as a luxury, but as a necessity. In a world that demands constant output, it’s easy to forget that renewal is part of the design. Take Some Time for Yourself is a call to slow motion: to breathe deeply, to reflect, to reset. Our guide in this pause is “Enjoy Yourself” by The Jacksons—a song birthed in transition and hope. Released in October 1976, it was The Jacksons’ first single after leaving Motown, written and produced by the legendary Gamble & Huff.
With Michael and Jackie Jackson leading, the track soared to #6 on the Billboard Hot 100 and #2 on the R&B chart. The song was a melodic invitation to live, to release worry, and to reclaim joy. When the world is racing, “Enjoy Yourself” says: slow down, savor.
PL Sweets connects that message to your spiritual and mental wellness. Without rest, our vision becomes blurry. Without reset, our energy leaks. Without prioritizing joy, we build lives that feel hollow. This episode invites you to step off the treadmill, to honor your humanity, and remember that to create well, you must first breathe well.
So press play, lean back into the groove, and let “Enjoy Yourself” wrap around you like a reminder: your best work flows from your best rest.
SONG OF THE DAY
ENJOY YOURSELF | THE JACKSONS
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On this morning’s episode, PL Sweets presses into a lesson we often skip: loyalty is forged in storms, not in sunny skies. It’s one thing for someone to stay when everything’s smooth—but another when hardship presses, misunderstandings rise, and the pressure mounts.
We anchor that message in Alicia Myers’ “I Want to Thank You”, a song that carries gratitude deep in its DNA. Originally released in 1981 on her album Alicia and later as a single in 1982, it rose to prominence in the R&B/ R&B/post-disco scene—peaking at #37 on Billboard’s R&B chart. Written by Kevin McCord and produced alongside Irene Perkins, the song evolved from club favorite to a timeless expression of gratitude and steadfastness. Though many know the track as a feel-good anthem, beneath its warm melody lies a truth: gratitude is the companion of loyalty—not the mask of opportunism. To stay when someone is thriving is easy. To stay when they struggle, question, or withdraw—that’s what reveals heart.
In this episode, PL Sweets unpacks how real loyalty demands:
We’ll also dive into how “I Want to Thank You” has endured across generations—not because it was convenient, but because its core message resonates when loyalty is tested. Alicia Myers, originally part of the Detroit funk band One Way, launched into solo success; her voice and song became a vessel of connection across clubs, churches, and hearts. So as you press play, let Myers’ voice remind you: real love doesn’t flee in the low season. It doesn’t whisper only when applause is loud. It stands. Through fatigue, grief, doubt. That loyalty—that kind of love—is a rare gift. And sometimes, the one who stays is the one who changes the story.
SONG OF THE DAY
I want to Thank You - Alicia Myers
Good Vinyl Mornings, Be good to yourself
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In this episode of Good Vinyl Mornings, host PL Sweets leans into the art of letting go: learning how to say goodbye to seasons, people, or dreams that no longer serve you. The soundtrack to our reflection is Diana Ross’s stirring classic “Do You Know Where You’re Going To.”
Originally released in 1975 as the theme for the film Mahogany, the song was written by Michael Masser and Gerald Goffin, and became one of Ross’s most haunting ballads. It poses deep questions: “Do you know where you’re going to? / Do you like the things that life is showing you?” Its melody carries both nostalgia and courage.
PL Sweets uses this song as a mirror. Sometimes the hardest goodbyes are internal: we stay in places because they’re familiar, even when our soul is turning. Through “Do You Know Where You’re Going To,” we confront how reflection, mourning, and decision intersect. Because saying goodbye isn’t always a defeat—it can be a declaration: “I choose clarity. I choose my next chapter.” In the soft echoes of Diana’s voice, we find grace to release, resolve to move, and hope for what lies ahead.
SONG OF THE DAY
Theme from Mahogany | Diana Ross
Good Vinyl Mornings, Be good to yourself
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This morning, PL Sweets draws from the power of Aretha Franklin’s “Call Me” to explore what separates “good” from “great.” On the surface, “Call Me” is a beautiful love song—Aretha herself penned it after observing a young couple part with “I love you… call me.” But underneath the melody lies an example of artistry that doesn’t settle. It’s commitment. Precision. Emotion carried with excellence.
Aretha didn’t just sing; she played piano, she felt every lyric. The backing came from the Muscle Shoals Rhythm Section—players who brought more than notes; they brought intention. Producers like Arif Mardin, Jerry Wexler, and Tom Dowd shaped the sound so that every phrase, every pause, every rise in her voice leaned toward greatness.
In this episode, PL Sweets reflects on how moving from good to great requires paying attention to things many dismiss:
Just like “Call Me” rose on the charts—No.1 on US R&B, top 15 on Pop—a great work comes not only from talent but from refusing to settle. If you want your life, your craft, your relationships to be great, it starts with the margin: those small, daily choices to show up deeper, with more courage, more heart. So when you hear Aretha say “Call me… the moment you get there”, let it echo as more than romance. Let it be a challenge: are you willing to cross that margin from good to great?
SONG OF THE DAY
ARETHA FRANKLIN | CALL ME
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True friendship isn’t flashy—it’s soul-deep, tested by time, and rooted in trust. In this heart-centered episode of Good Vinyl Mornings, we explore the invisible glue that holds real friendships together: consistency, vulnerability, and a rhythm that never skips a beat.
We start with Alicia Keys’ “Unbreakable,” a warm, affirming anthem that speaks to the power of connection that survives life’s seasons—good and bad. But the roots of that sound stretch further back. Alicia sampled the smooth, soulful groove of “Intimate Friends” by Eddie Kendricks, a track that feels like a late-night conversation with someone who truly sees you.
Both songs speak to loyalty and presence—of being there when it’s inconvenient, of showing up even in silence, of choosing people over perfection. We break down how these tracks capture the essence of what it means to be deeply known and still deeply loved.
This episode is about more than music—it's a meditation on emotional intimacy, forgiveness, and why the best friendships are slow-cooked over years, not microwaved in moments. You’ll leave with a renewed appreciation for the people in your life who have become family—not by blood, but by choice.
Whether you’re holding on to a decades-long friendship or learning how to build new, meaningful ones in adulthood, this one’s for you. Press play, vibe out, and let’s talk about what makes a bond truly unbreakable.
SONG OF THE DAY
ALICIA KEYS | UNBREAKABLE
EDDIE KENDRICKS | INTIMATE FRIENDS
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This morning, we dig into the power of delusional confidence—the kind of unstoppable belief that propels you forward, even when doubt says “wait.” And who better to lead the charge than James Brown with his explosive funk hit “Sex Machine.”
Recorded in two takes and released in 1970 with backing vocals from Bobby Byrd, the track soared to No. 2 on the R&B chart and No. 15 on Billboard’s Hot 100 It marked a creative high point for James Brown, backed by the newly formed J.B.'s—which included bass legend Bootsy Collins, guitar by Catfish Collins, and drums by Jabo Starks
Together, they crafted a hypnotic groove centered around an insistent riff, punctuated by Brown’s powerful call-and-response: “Get up… stay on the scene… like a sex machine”
But let’s get to the lesson: Brown wasn’t waiting until he felt ready—he declared readiness. That’s delusional confidence. It’s stepping onstage convinced you already belong there. It’s dancing before you feel joy. It’s leading before you feel qualified.
Here’s what we unpack in this episode:
So today—when doubt whispers, when preparation feels incomplete—remember James’s anthem:
“Get up… stay on the scene… like a sex machine.”
You've got more power than you think. Now go use it.
SONGS OF THE DAY
James Brown - Get Up (I Feel Like Being a) Sex Machine
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This morning on Good Vinyl Mornings, host PL Sweets goes deeper into how relationships in music aren’t just nice—they’re necessary. We spotlight Roger Greene Jr (aka Mista Raja), whose hit-writing credits for songs like Hi Hater, Satisfy You, Come to Me, and Lighters Up didn’t happen by chance. They happened because he invested in people, stayed authentic, showed up consistently, and built trust over time.
PL Sweets shares what he’s learned from walking alongside Roger: how friendship can turn into collaboration, how loyalty and generosity open doors, and why being real in your relationships often matters more than being the loudest. This isn’t about fame or flash—it’s about those behind-the-scenes moments, the late-night calls, the shared ideas, and the care taken in every interaction. Because while talent makes the song, relationships help it last.
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This morning, host Prentiss “PL Sweets” Thompson revs up your spirit with a message wrapped in funk: Delusional Confidence. It’s that audacious kind of belief that laughs when doubt knocks, that stands tall even when standing alone. And there’s no song more fitting than James Brown’s “Get Up (I Feel Like Being a) Sex Machine.”
Recorded in April 1970 with the newly formed J.B.’s, this track wasn’t just a hit—it was a declaration. With Bobby Byrd on backing vocals, Catfish and Bootsy Collins on guitar and bass, and Jabo Starks driving the rhythm, the groove is relentless. Brown recorded it in just two takes, and the song shot up to #2 on the R&B charts and #15 on the Billboard Hot 100.
Brown’s voice doesn’t ask for permission—it commands movement. The call-and-response between him and Byrd, the repeated exhortation to “get up, stay on the scene like a sex machine,” isn’t just rhythm—it’s a mindset.
In this episode, PL Sweets walks you through how “delusional confidence” isn’t foolishness—it’s forward motion. It’s putting one foot in front of the other before you feel fully ready. It’s making noise when nobody’s listening yet. It’s owning the stage in your mind long before you step on it for real. If you’re wrestling with fear, hesitation, or the feeling that you’re “not there yet,” let this one blast out your doubts. Because sometimes, the belief before the breakthrough is all you have to carry. And that belief? It can move the mountain.
So press play, feel the funk, and let your audacity rise. PL Sweets is here with you—encouraging, inspiring, reminding you: you were made to get up, stay up, and be seen.
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SONG OF THE DAY
James Brown - Get Up (I Feel Like Being a) Sex Machine
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This morning on Good Vinyl Mornings, host Prentiss “PL Sweets” Thompson leans into a powerful reminder: Don’t take your dreams to the grave. Using Michael Jackson’s transcendent anthem “Wanna Be Startin’ Somethin’” as the soundtrack, PL Sweets explores how holding a dream inside but never acting is like burying your gift before it can be seen.
He dives into how the song bursts with energy—those opening lines about lifting your head high, proclaiming identity—and how that same energy calls every listener to move beyond fear, comparison, and delay. Michael didn’t let criticism or waiting define him; PL Sweets uses that example to encourage you to speak your vision, take bold steps, and guard your dreams like sacred trust.
By the end of the episode, you’ll feel the urgency: your dreams aren’t just possibilities—they’re destined. PL Sweets doesn’t just want you to hear this message. He wants you to live it. So press play, tap into that inspiration, and vow to let the world hear your song before the final curtain.
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SONG OF THE DAY
MICHAEL JACKSON | YOU WANNA BE STARTIN SOMETHIN
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This morning, we reflect on what it really means to have someone “Ten Toes Down” for you—a friend whose loyalty doesn’t dip when the lights are low, but who stands firm even when the world wavers. We set the tone with The Dells’ immortal “Stay in My Corner”, a soul classic about faithful waiting and steadfast love. First released in 1965 and re-recorded in 1968, the song became their biggest R&B smash—holding the #1 spot for three weeks and crossing over to broader audiences.
There’s something sacred in the lyrics: someone who says “I’ll be right here… stay in my corner”—not to push, not to judge, but to support. That kind of friendship doesn’t require perfection. It just requires presence.
In this episode, we explore the gifts and the strength found in unwavering support:
Because sometimes, having someone hold the corner means everything: when you’re moving forward, when you pause, when you doubt, or when you soar. So as “Stay in My Corner” plays—let it remind you of the friends who’ve held space for you. Let it inspire you to be that kind of friend, too. To be present. To be reliable. To be “Ten Toes Down.”
SONG OF THE DAY
THE DELLS | STAY IN MY CORNER
THE FIVE HEARTBEATS | A HEART IS A HOUSE FOR LOVE
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The Dells Live 1972
Good Vinyl Mornings Be good to yourself
In life, sometimes the biggest breakthroughs come from the smallest tweaks. On this episode of Good Vinyl Mornings, we explore how subtle shifts—not radical transformations—can lead to something lasting and beautiful. Our guiding track: Sérgio Mendes & Brasil ’66’s “Mas que Nada”.
Originally written by Jorge Ben in Brazil in 1963, Mas que Nada was more than a samba tune. It was rhythm, culture, and melody wrapped in invitation—“come dance, come live.” But when Sérgio Mendes heard it in Rio’s clubs and later in Copacabana bars, he didn’t just play it. He adjusted its frame. He added pop sensibility. He introduced two female vocalists (Lani Hall and Bibi Vogel) to shift the sound—and critically, the band adopted a bilingual, cross-cultural approach. Mendes moved from purely instrumental arrangements to a fusion of Brazilian rhythms, jazz, and pop harmonies that would cross oceans.
This episode leans into what Mas que Nada teaches us about refining more than reinventing:
If you’re in a season of feeling stuck, this episode is your invitation: don’t overhaul everything. Tweak what’s already good. Let your voice, your vibe, your rhythm meet the world just a little better than yesterday.
Let Mas que Nada be your reminder: harmony isn’t about perfection—it’s about refining every note.
SONG OF THE DAY
Mas que Nada” – Sérgio Mendes & Brasil ’66
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In this thought-provoking episode of Good Vinyl Mornings, host Prentiss "PL Sweets" Thompson dives into the powerful idea that what you listen to shapes your path. From the voices you trust to the messages you consume, PL explores how tuning into the right influences can shape your decisions, mindset, and ultimately, your future.
To add some flavor, PL breaks down the iconic track "Crush on You" by Junior M.A.F.I.A. He unpacks the song’s infectious beats, lyrical brilliance, and its impact on hip-hop culture, all while connecting its energy to the power of influence in our lives.
Start your day with intention, a fresh perspective, and a beat that moves your soul. Tune in now and let the groove guide your journey! 🎶
SONG OF THE DAY
JUNIOR M.A.F.I.A. | CRUSH ON YOU
THE JEFF LORBER FUSION | RAIN DANCE |
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