Sarah Goodman is looking at theatre through a queer lens and discussing the intersection between the craft and the LGBTQ+ community. (AKA herself, her friends, and family). Sarah is a sound designer and professional lesbian theatre geek. She's a huge fan of all things theatre, Broadway, cabaret, and pop culture. Join her in conversation with theatre professionals, actors, creatives, and designers. Chats about queer representation, what makes a GOOD SHOW, and so much more!
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Sarah Goodman is looking at theatre through a queer lens and discussing the intersection between the craft and the LGBTQ+ community. (AKA herself, her friends, and family). Sarah is a sound designer and professional lesbian theatre geek. She's a huge fan of all things theatre, Broadway, cabaret, and pop culture. Join her in conversation with theatre professionals, actors, creatives, and designers. Chats about queer representation, what makes a GOOD SHOW, and so much more!
"Directors are authors of a production," is the vision held by Trip Cullman, director of the play, We Had a World. This beautiful play explores intergenerational relationships in a family with complicated dynamics. Starring Joanna Gleason, Andrew Barth Feldman, and Jeanine Serralles and written by Joshua Harmon. Sarah and Trip discuss the play, queer representation on stage, the importances of live theatre, and more!
Trip Cullman (Director). Broadway: Cult Of Love, The Rose Tattoo, Choir Boy, Lobby Hero (Tony nom., Best Revival), Six Degrees of Separation (Tony nom., Best Revival), Significant Other. Select Off Broadway: I Can Get It For You Wholesale (Best Revival, Drama Desk and Outer Critics) (CSC); The Lonely Few, Moscow Moscow…, YEN, Punk Rock (Obie), A Funny Thing Happened… (MCC); Days Of Rage, The Layover, The Substance of Fire, Lonely I’m Not, Bachelorette, Some Men, Swimming In The Shallows (Second Stage); Unknown Soldier, The Pain Of My Belligerence, Assistance, A Small Fire (Drama Desk nom.), The Drunken City (Playwrights Horizons); Significant Other (Roundabout); Choir Boy (MTC); Murder Ballad (MTC and Union Square); The Mother, I’m Gonna Pray For You So Hard (Atlantic); Roulette (EST); The Hallway Trilogy: Nursing (Rattlestick); The Last Sunday In June (Rattlestick and Century Center); Dog Sees God (Century Center); US Drag (stageFARM); several productions with The Play Company. Select regional: Berkeley Rep, McCarter, Geffen, Arena, Alliance, Old Globe, La Jolla, South Coast Rep, Bay Street, Williamstown.
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GOOD SHOW! with Sarah Goodman
Sarah Goodman is looking at theatre through a queer lens and discussing the intersection between the craft and the LGBTQ+ community. (AKA herself, her friends, and family). Sarah is a sound designer and professional lesbian theatre geek. She's a huge fan of all things theatre, Broadway, cabaret, and pop culture. Join her in conversation with theatre professionals, actors, creatives, and designers. Chats about queer representation, what makes a GOOD SHOW, and so much more!
