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God's Music Is My Life
God's Music Is My Life
14 episodes
6 days ago
God's Music Is My Life is a podcast that deep dives into artists and albums from the gospel, contemporary Christian, soul and women's music genres. We discuss their histories, sounds, theological and ideological implications from an intersectional and deconstructionist lens.
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Music Interviews
Music
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All content for God's Music Is My Life is the property of God's Music Is My Life and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
God's Music Is My Life is a podcast that deep dives into artists and albums from the gospel, contemporary Christian, soul and women's music genres. We discuss their histories, sounds, theological and ideological implications from an intersectional and deconstructionist lens.
Show more...
Music Interviews
Music
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S1 Ep 4: Pam Mark Hall/On Her Life in CCM, Misogyny and Mystery
God's Music Is My Life
1 hour 2 minutes 3 seconds
1 year ago
S1 Ep 4: Pam Mark Hall/On Her Life in CCM, Misogyny and Mystery

Pam Mark Hall is one of the most important CCM artists of the 70s and 80s--but if you weren't listening to the music in that era, you might not have heard of her.

In addition to her own solo work, she wrote songs for many of the best-selling albums of the 80s, including Amy Grant's "Straight Ahead," Kathy Troccoli's "Heart & Soul," Russ Taff's "Medals," and the Imperials' "Let the Wind Blow."

In this interview, we discuss her last major label release, 1986's "Keeper," which came on the cusp of the end of her career in CCM as she once knew it. We discuss the culture at the time, and the effects of fundamentalism and misogyny on her life and career.

Read more about Pam at my Substack: https://godsmusicismylife.substack.com/p/unwilling-to-shut-up-and-sing

God's Music Is My Life
God's Music Is My Life is a podcast that deep dives into artists and albums from the gospel, contemporary Christian, soul and women's music genres. We discuss their histories, sounds, theological and ideological implications from an intersectional and deconstructionist lens.