Ghost Hampton By Ken McGorry
The public clamor over a purported haunted house in the middle of Bridgehampton has not died down, as much as Lyle Hall wishes it would—he’s the unlikely discoverer of whatever’s been going on inside the decrepit Victorian everyone calls Old Vic. Since Lyle’s near-death experience killing kindly Elsie Cronk with his Hummer in a grisly car crash, he hasn’t been the same. He’s seen the error of his ways, his misspent adulthood, his career as the town’s greediest lawyer, his attempted playboy lifestyle, and truly wants to make amends.
One new wrinkle—Lyle hears things. Dead things, dead people. And sometimes sees them, too. He cannot control the sounds and visions. Especially when a sad girl in Victorian garb appears to him outside Old Vic. She wants something, just like living people, but does not speak English. However, she does show Lyle a terrifying vision: his estranged 30-year-old daughter’s tombstone. Southampton Police detective Georgie Hall has four more days to live. If you believe such things. And she does not.
GHOST HAMPTON, based on the novel by Ken McGorry, is narrated by Dennis Kleinman and stars and array of actors bringing the story to cinematic life.
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Ghost Hampton By Ken McGorry
The public clamor over a purported haunted house in the middle of Bridgehampton has not died down, as much as Lyle Hall wishes it would—he’s the unlikely discoverer of whatever’s been going on inside the decrepit Victorian everyone calls Old Vic. Since Lyle’s near-death experience killing kindly Elsie Cronk with his Hummer in a grisly car crash, he hasn’t been the same. He’s seen the error of his ways, his misspent adulthood, his career as the town’s greediest lawyer, his attempted playboy lifestyle, and truly wants to make amends.
One new wrinkle—Lyle hears things. Dead things, dead people. And sometimes sees them, too. He cannot control the sounds and visions. Especially when a sad girl in Victorian garb appears to him outside Old Vic. She wants something, just like living people, but does not speak English. However, she does show Lyle a terrifying vision: his estranged 30-year-old daughter’s tombstone. Southampton Police detective Georgie Hall has four more days to live. If you believe such things. And she does not.
GHOST HAMPTON, based on the novel by Ken McGorry, is narrated by Dennis Kleinman and stars and array of actors bringing the story to cinematic life.
Lyle is shocked by Matteo’s appearance. The barn has caught fire thanks to Lyle’s Molotov cocktail, and they debate which of them must leave. Matteo agrees to attempt to bring down the sordid old barn with a farm mallet he finds, then uses it to slam the rabid possum attacking Lyle. Suddenly Matteo collapses, only to rise again transformed into a demon. The demon taunts Lyle, then attacks him. Lyle finally punches the demon so hard he collapses on the burning barn floor.
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Ghost Hampton
Ghost Hampton By Ken McGorry
The public clamor over a purported haunted house in the middle of Bridgehampton has not died down, as much as Lyle Hall wishes it would—he’s the unlikely discoverer of whatever’s been going on inside the decrepit Victorian everyone calls Old Vic. Since Lyle’s near-death experience killing kindly Elsie Cronk with his Hummer in a grisly car crash, he hasn’t been the same. He’s seen the error of his ways, his misspent adulthood, his career as the town’s greediest lawyer, his attempted playboy lifestyle, and truly wants to make amends.
One new wrinkle—Lyle hears things. Dead things, dead people. And sometimes sees them, too. He cannot control the sounds and visions. Especially when a sad girl in Victorian garb appears to him outside Old Vic. She wants something, just like living people, but does not speak English. However, she does show Lyle a terrifying vision: his estranged 30-year-old daughter’s tombstone. Southampton Police detective Georgie Hall has four more days to live. If you believe such things. And she does not.
GHOST HAMPTON, based on the novel by Ken McGorry, is narrated by Dennis Kleinman and stars and array of actors bringing the story to cinematic life.