It all started with a banana. I’m four years old, sitting at the dining room table, doodling a familiar yellow fruit. A sprawling pile of colorful craft paper, stickers and drawing materials surround me. My weapon of choice? A squeaky, half-dried-out marker. My mission? Unknown… but very, very important. Fast forward a few decades: the markers are fancier (sometimes), the deadlines are real, and suddenly I’m asking myself… wait, is this still what I want to do? Is this still fun? Have I wande...
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It all started with a banana. I’m four years old, sitting at the dining room table, doodling a familiar yellow fruit. A sprawling pile of colorful craft paper, stickers and drawing materials surround me. My weapon of choice? A squeaky, half-dried-out marker. My mission? Unknown… but very, very important. Fast forward a few decades: the markers are fancier (sometimes), the deadlines are real, and suddenly I’m asking myself… wait, is this still what I want to do? Is this still fun? Have I wande...
Where do motion artists go once they’ve retired? No one knows. I’ll trace back the twisty-turny branches that have brought us to where we’ve landed today and try to figure out where I go next in my career. Featuring guests Rachel Oftedahl & Justin Cone. -------- Links Mark Henn 1Mark Henn 2 Mark Henn InterviewGhost Frame Substack -------- Today’s episode was hosted and produced by me, Sarah Beth Morgan. Sound, mixing and editing by Hope Brush. Additional music by Cathead Noise, who ...
Ghost Frame
It all started with a banana. I’m four years old, sitting at the dining room table, doodling a familiar yellow fruit. A sprawling pile of colorful craft paper, stickers and drawing materials surround me. My weapon of choice? A squeaky, half-dried-out marker. My mission? Unknown… but very, very important. Fast forward a few decades: the markers are fancier (sometimes), the deadlines are real, and suddenly I’m asking myself… wait, is this still what I want to do? Is this still fun? Have I wande...