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Ghost Echoes
Consequence Podcast Network
12 episodes
8 months ago

Ghost Echoes is a music history podcast with secret rules. It begins in 1970 and it will proceed up to the present day, discussing one musical recording per episode. Some of them are famous and acclaimed, others utterly obscure. Some are classical, most are pop. The list of recordings that Ghost Echoes will focus on throughout its run is already decided and set in stone, having been chosen in accordance with the podcast’s non-negotiable rules, of which there are three: 1. REDACTED, 2. REDACTED, and 3. The first two rules are secret.


These rules lead Ghost Echoes down countless historical side streets and blind alleys where it departs from music entirely and passes by Victorian booze palaces, angry Ontarian proletariats, inscrutable paintings about the space race, demolished movie theatres, drunk people, exceedingly large oval rugs, unlikely origin stories of venerable educational institutions, Charlie Brown cartoons, and conspiracy theories about extrajudicial assassinations by MI5.


Ghost Echoes is the story of music -- and everything else

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Music History
Music
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All content for Ghost Echoes is the property of Consequence Podcast Network and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.

Ghost Echoes is a music history podcast with secret rules. It begins in 1970 and it will proceed up to the present day, discussing one musical recording per episode. Some of them are famous and acclaimed, others utterly obscure. Some are classical, most are pop. The list of recordings that Ghost Echoes will focus on throughout its run is already decided and set in stone, having been chosen in accordance with the podcast’s non-negotiable rules, of which there are three: 1. REDACTED, 2. REDACTED, and 3. The first two rules are secret.


These rules lead Ghost Echoes down countless historical side streets and blind alleys where it departs from music entirely and passes by Victorian booze palaces, angry Ontarian proletariats, inscrutable paintings about the space race, demolished movie theatres, drunk people, exceedingly large oval rugs, unlikely origin stories of venerable educational institutions, Charlie Brown cartoons, and conspiracy theories about extrajudicial assassinations by MI5.


Ghost Echoes is the story of music -- and everything else

Show more...
Music History
Music
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No. 3 - Little Red Record
Ghost Echoes
22 minutes
5 years ago
No. 3 - Little Red Record

In the third episode of Ghost Echoes, the secret rules direct us towards a reluctant radical in Robert Wyatt. The eclectic English musician is in good company, though, and you'll find out why as we twist and turn through a number of historical similarities and coincidences. Along the way, we'll also learn that a revolution is not a dinner party. 

Music and Sound Notes: 

- The music in the first section about Robert Wyatt includes “Marchides” by Matching Mole, and “Alifib” by Robert Wyatt. 

- The following section about Cornelius Cardew includes the first movement from Haydn's String Quartet Op. 54, No. 1 performed by Marlburo Music. 

- “Brandy As In Benj” by Matching Mole starts the next section about Wyatt. Three more songs from Little Red Record close out the section: “Righteous Rhumba,” “Gloria Gloom,” and “Starting in the Middle of the Day We Can Drink Our Politics Away.” 

- The next Cardew section contains "Paragraph 7" of The Great Learning performed by the Scratch Orchestra, a repeat engagement by AMMMusic, and Karlheinz Stockhausen’s Kontakte. The recordings of Cardew’s propaganda songs appear on the CD Consciously: “Song for the British Working Class,” “Founding of the Party” and “The Workers of Ontario.” 

- The following sections contain “Foxy Lady” from a Jimi Hendrix bootleg from a 1967 show in Stockholm. And a recording of Cardew’s Thälmann Variations by Frederic Rzewski. (This recording is all the more poignant considering that Rzewski was a friend of Cardew’s, and a colleague in radical politics, though he did not escape censure by Cardew in Stockhausen Serves Imperialism). 

- Finally, the ending is set to two Robert Wyatt songs: “Sea Song” and “Shipbuilding.” 

Further reading, listening: 

- My two main sources for biographical information were Cornelius Cardew: A Life Unfinished by John Tilbury and Different Every Time: The Authorized Biography of Robert Wyatt by Marcus O’Dair. This piece by Edward Fox was useful for some details surrounding Cardew’s death. 

-Clips of Wyatt speaking come from the BBC’s The Voices Of… and the short clip of John Tilbury comes from this video. 

Ghost Echoes

Ghost Echoes is a music history podcast with secret rules. It begins in 1970 and it will proceed up to the present day, discussing one musical recording per episode. Some of them are famous and acclaimed, others utterly obscure. Some are classical, most are pop. The list of recordings that Ghost Echoes will focus on throughout its run is already decided and set in stone, having been chosen in accordance with the podcast’s non-negotiable rules, of which there are three: 1. REDACTED, 2. REDACTED, and 3. The first two rules are secret.


These rules lead Ghost Echoes down countless historical side streets and blind alleys where it departs from music entirely and passes by Victorian booze palaces, angry Ontarian proletariats, inscrutable paintings about the space race, demolished movie theatres, drunk people, exceedingly large oval rugs, unlikely origin stories of venerable educational institutions, Charlie Brown cartoons, and conspiracy theories about extrajudicial assassinations by MI5.


Ghost Echoes is the story of music -- and everything else