Gartbage is back and we're heading south with several Michael B Jordan's for Ryan Coogler's period horror musical SINNERS! As always, we're discussing with full spoilers. We're tracing Sinners' path from conception to theatre, from Coogler's visit to a cotton plantation outside of Atlanta, to discovering Miles Caton and treating Jack O'Connell like Beyonce, to one of the best theatre experiences of the year. This film trusts its audiences in ways that recent blockbusters haven't, so we're getting into some of the details that make up this (our?) world: Hoodoo, the Great Migration, Juke Joints, Choctaw vampire hunters, we've got it all. Plus, Erin breaks down how Ludwig Goransson's blues-based score helps tell this story of racism, colonialism, and vampires. And how did we feel about the big Generations dance scene? The answer may surprise you! Next week we're taking another look at racial and colonial attitudes in the south with John Sayles' LONE STAR (1996)