Here’s how FUSE works: In each episode, BOMB invites an artist to choose a guest from any creative discipline—an art crush, a close collaborator, or even a stranger they’ve admired from afar—and we bring them together. The result? Candid, unfiltered conversations on art, what inspires it, how it’s made, and what we can learn from it.
Since 1981, BOMB Magazine has delivered the voices of the most iconic artists of our time, publishing conversations between artists, writers, musicians, performers, and directors. This project is supported in part by an award from the National Endowment for the Arts.
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Here’s how FUSE works: In each episode, BOMB invites an artist to choose a guest from any creative discipline—an art crush, a close collaborator, or even a stranger they’ve admired from afar—and we bring them together. The result? Candid, unfiltered conversations on art, what inspires it, how it’s made, and what we can learn from it.
Since 1981, BOMB Magazine has delivered the voices of the most iconic artists of our time, publishing conversations between artists, writers, musicians, performers, and directors. This project is supported in part by an award from the National Endowment for the Arts.
Mira Jacob is the author of the graphic memoir Good Talk and the novel The Sleepwalker’s Guide to Dancing.
Scott Cheshire is the author of the novel High As the Horses' Bridles, a Best Book of 2014 pick at The Washington Post, The Wall Street Journal, New York Magazine, and Electric Literature.
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FUSE: A BOMB Podcast
Here’s how FUSE works: In each episode, BOMB invites an artist to choose a guest from any creative discipline—an art crush, a close collaborator, or even a stranger they’ve admired from afar—and we bring them together. The result? Candid, unfiltered conversations on art, what inspires it, how it’s made, and what we can learn from it.
Since 1981, BOMB Magazine has delivered the voices of the most iconic artists of our time, publishing conversations between artists, writers, musicians, performers, and directors. This project is supported in part by an award from the National Endowment for the Arts.
