Here’s how FUSE works: In each episode, BOMB invites an artist to choose a guest from any creative discipline—an art crush, a close collaborator, or even a stranger they’ve admired from afar—and we bring them together. The result? Candid, unfiltered conversations on art, what inspires it, how it’s made, and what we can learn from it.
Since 1981, BOMB Magazine has delivered the voices of the most iconic artists of our time, publishing conversations between artists, writers, musicians, performers, and directors. This project is supported in part by an award from the National Endowment for the Arts.
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Here’s how FUSE works: In each episode, BOMB invites an artist to choose a guest from any creative discipline—an art crush, a close collaborator, or even a stranger they’ve admired from afar—and we bring them together. The result? Candid, unfiltered conversations on art, what inspires it, how it’s made, and what we can learn from it.
Since 1981, BOMB Magazine has delivered the voices of the most iconic artists of our time, publishing conversations between artists, writers, musicians, performers, and directors. This project is supported in part by an award from the National Endowment for the Arts.
In this episode, we did something a little different: revisiting a BOMB interview from 1993 between Deborah Eisenberg and Francine Prose.
Deborah Eisenberg has published five collections of stories: Transactions in a Foreign Currency, Under the 82nd Airborne, All Around Atlantis, Twilight of the Superheroes and Your Duck Is My Duck.
Francine Prose is the author of twenty-one works of fiction, including Mister Monkey; Lovers at the Chameleon Club, Paris 1932; A Changed Man, and Blue Angel, a finalist for the National Book Award. Her works of nonfiction include Anne Frank: The Book, The Life, The Afterlife, and the New York Times bestseller, Reading Like a Writer.
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FUSE: A BOMB Podcast
Here’s how FUSE works: In each episode, BOMB invites an artist to choose a guest from any creative discipline—an art crush, a close collaborator, or even a stranger they’ve admired from afar—and we bring them together. The result? Candid, unfiltered conversations on art, what inspires it, how it’s made, and what we can learn from it.
Since 1981, BOMB Magazine has delivered the voices of the most iconic artists of our time, publishing conversations between artists, writers, musicians, performers, and directors. This project is supported in part by an award from the National Endowment for the Arts.
