Here’s how FUSE works: In each episode, BOMB invites an artist to choose a guest from any creative discipline—an art crush, a close collaborator, or even a stranger they’ve admired from afar—and we bring them together. The result? Candid, unfiltered conversations on art, what inspires it, how it’s made, and what we can learn from it.
Since 1981, BOMB Magazine has delivered the voices of the most iconic artists of our time, publishing conversations between artists, writers, musicians, performers, and directors. This project is supported in part by an award from the National Endowment for the Arts.
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Here’s how FUSE works: In each episode, BOMB invites an artist to choose a guest from any creative discipline—an art crush, a close collaborator, or even a stranger they’ve admired from afar—and we bring them together. The result? Candid, unfiltered conversations on art, what inspires it, how it’s made, and what we can learn from it.
Since 1981, BOMB Magazine has delivered the voices of the most iconic artists of our time, publishing conversations between artists, writers, musicians, performers, and directors. This project is supported in part by an award from the National Endowment for the Arts.
Becca Blackwell is a New York-based trans actor, performer, and writer. Their play, They, Themself and Schmerm, has been presented across the country. They have collaborated with Young Jean Lee, Noah Baumbach, and Richard Maxwell, among others. Blackwell was the recipient of a 2015 Doris Duke Impact Award.
For this episode, we asked performance artist Becca Blackwell who they’d most like to speak with. They chose Okwui Okpokwasili.
Okwui Okpokwasili is a performer, choreographer, writer and a genre breaking figure in New York’s experimental dance scene. Her productions including Bronx Gothic (2014) and Poor People’s TV Room (2017). She received a MacArthur Fellowship in 2018.
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FUSE: A BOMB Podcast
Here’s how FUSE works: In each episode, BOMB invites an artist to choose a guest from any creative discipline—an art crush, a close collaborator, or even a stranger they’ve admired from afar—and we bring them together. The result? Candid, unfiltered conversations on art, what inspires it, how it’s made, and what we can learn from it.
Since 1981, BOMB Magazine has delivered the voices of the most iconic artists of our time, publishing conversations between artists, writers, musicians, performers, and directors. This project is supported in part by an award from the National Endowment for the Arts.
