This is a podcast From The Red House – the former home of Benjamin Britten and Peter Pears. I’m Lucy Walker – join me, colleagues, and other guests for a monthly chat about all things Britten and Pears, but also music, culture, heritage in general – and anything else that might come up.
All content for From The Red House is the property of Britten Pears Arts and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
This is a podcast From The Red House – the former home of Benjamin Britten and Peter Pears. I’m Lucy Walker – join me, colleagues, and other guests for a monthly chat about all things Britten and Pears, but also music, culture, heritage in general – and anything else that might come up.
I shall never forget the impact made on me by the Japanese theatre”. This was Britten, broadcasting to Japan in 1958, two years after his memorable trip to the country in 1956. He had visited as part of a Far East tour beginning in 1955 and which included stays in Bali, Hong Kong and India. The whole trip had a deep and lasting influence on his compositions from around that time onwards, and perhaps most significantly on his 1964 Church Parable Curlew River. This podcast, hosted by Dr Lucy Walker, explores the background to this fascinating work, including the specific influence of the Japanese Nō play Britten attended, twice, in 1956: Sumidigawa.
From The Red House
This is a podcast From The Red House – the former home of Benjamin Britten and Peter Pears. I’m Lucy Walker – join me, colleagues, and other guests for a monthly chat about all things Britten and Pears, but also music, culture, heritage in general – and anything else that might come up.