The title of the novella is almost an adequate summary in itself. The “boy-meets-girl-then-loses-her” story is universal but not, I think, banal – despite a surprise ending which notoriously turns out to be very little of a surprise. “First Love” is given its originality and poignancy by Turgenev’s mastery of the piercing turning-point (akin to Joyce’s “epiphanies”) that transforms the character’s whole being, making a tragic outcome inevitable. Even the nature symbolism is rescued from triteness by lovely poetic similes – e.g. “but at that point my attention was arrested by the appearance of a speckled woodpecker who busily climbed up the slender stem of a birch-tree and peeped out uneasily from behind it, first to the right, then to the left, like a musician behind the bass-viol.” (Summary by Martin Geeson)
All content for First Love by Ivan S. Turgenev is the property of Loyal Books and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
The title of the novella is almost an adequate summary in itself. The “boy-meets-girl-then-loses-her” story is universal but not, I think, banal – despite a surprise ending which notoriously turns out to be very little of a surprise. “First Love” is given its originality and poignancy by Turgenev’s mastery of the piercing turning-point (akin to Joyce’s “epiphanies”) that transforms the character’s whole being, making a tragic outcome inevitable. Even the nature symbolism is rescued from triteness by lovely poetic similes – e.g. “but at that point my attention was arrested by the appearance of a speckled woodpecker who busily climbed up the slender stem of a birch-tree and peeped out uneasily from behind it, first to the right, then to the left, like a musician behind the bass-viol.” (Summary by Martin Geeson)
The title of the novella is almost an adequate summary in itself. The “boy-meets-girl-then-loses-her” story is universal but not, I think, banal – despite a surprise ending which notoriously turns out to be very little of a surprise. “First Love” is given its originality and poignancy by Turgenev’s mastery of the piercing turning-point (akin to Joyce’s “epiphanies”) that transforms the character’s whole being, making a tragic outcome inevitable. Even the nature symbolism is rescued from triteness by lovely poetic similes – e.g. “but at that point my attention was arrested by the appearance of a speckled woodpecker who busily climbed up the slender stem of a birch-tree and peeped out uneasily from behind it, first to the right, then to the left, like a musician behind the bass-viol.” (Summary by Martin Geeson)
