What does a Film Programmer do? I talk to James McEvoy to find out what programming the Warwick Arts Centre cinema, a three screens-cinema, based on a university campus but also serving a local and regional audience, involves. Who is the audience and how to build new ones is part of the conversation. We touch on Flatpack, the MAC, the Mockingbird, Square-Eye TV, Lock Studios, Steven Knight, the Forward Film Festival. James tells me about licenses and knowing who holds the rights to a film, which is sometimes confusing while underlining he is uninterested in gate-keeping, actively seeking collaborations and stressing the importance of getting the word out
We spend a considerable time discussing the exciting new programme: there will be live opera and theatre projections; BFI funded seasons; the opportunity of seeing films financed by Netflix on a big screen. Programmes to look out for are the Silent Cinema screenings with live accompaniment, the melodrama season, Richard Dyer speaking on Brief Encounter, and more.
Each year there’s an over-arching theme across the whole of the Arts Centre. This year the focus is on care. The film programme component is called is ‘Handle with Car,’ with a substrand on Cozy Classics, which will involve screening a classic film once a month. There will be tea and biscuits – feel free to BYOB (Blanket not Booze) -- an opportunity for people to get together and see things on a big screen. The Arts Centre will also be bringing its 35mm projector back into action for November screening of Cinema Paradiso. Part of another strand of the Care programme is ‘Care Behind the Scenes,’ co-programmed with Dr. Alice Pember and Dr. Julie Lobalzo-Wright, which will also have workshops as well as screenings (e.g. intimacy co-ordination’).
The Programme will include Accessible and Inclusive screenings as well as Audio-Description (for first time at the Art Centre) and there will be some workshops attached to this strand as well.
James stresses that the programming also takes on board an exploration of the local and the national with focus on independent and locally made cinema and with filmmakers holding Q&A’s when possible.
It all looks very exciting.
Check out the programme here:
https://www.warwickartscentre.co.uk/whats-on/cinema/
José Arroyo
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What does a Film Programmer do? I talk to James McEvoy to find out what programming the Warwick Arts Centre cinema, a three screens-cinema, based on a university campus but also serving a local and regional audience, involves. Who is the audience and how to build new ones is part of the conversation. We touch on Flatpack, the MAC, the Mockingbird, Square-Eye TV, Lock Studios, Steven Knight, the Forward Film Festival. James tells me about licenses and knowing who holds the rights to a film, which is sometimes confusing while underlining he is uninterested in gate-keeping, actively seeking collaborations and stressing the importance of getting the word out
We spend a considerable time discussing the exciting new programme: there will be live opera and theatre projections; BFI funded seasons; the opportunity of seeing films financed by Netflix on a big screen. Programmes to look out for are the Silent Cinema screenings with live accompaniment, the melodrama season, Richard Dyer speaking on Brief Encounter, and more.
Each year there’s an over-arching theme across the whole of the Arts Centre. This year the focus is on care. The film programme component is called is ‘Handle with Car,’ with a substrand on Cozy Classics, which will involve screening a classic film once a month. There will be tea and biscuits – feel free to BYOB (Blanket not Booze) -- an opportunity for people to get together and see things on a big screen. The Arts Centre will also be bringing its 35mm projector back into action for November screening of Cinema Paradiso. Part of another strand of the Care programme is ‘Care Behind the Scenes,’ co-programmed with Dr. Alice Pember and Dr. Julie Lobalzo-Wright, which will also have workshops as well as screenings (e.g. intimacy co-ordination’).
The Programme will include Accessible and Inclusive screenings as well as Audio-Description (for first time at the Art Centre) and there will be some workshops attached to this strand as well.
James stresses that the programming also takes on board an exploration of the local and the national with focus on independent and locally made cinema and with filmmakers holding Q&A’s when possible.
It all looks very exciting.
Check out the programme here:
https://www.warwickartscentre.co.uk/whats-on/cinema/
José Arroyo
Thinking Aloud About Film: (Arrebato, Iván Zulueta, 1979)
First Impressions: Thinking Aloud About Film
33 minutes 37 seconds
4 months ago
Thinking Aloud About Film: (Arrebato, Iván Zulueta, 1979)
https://notesonfilm1.com/2025/06/12/thinking-aloud-about-film-arrebato-ivan-zulueta-1979/
A cult film; a queer film; a vampire film; a film maudit; a film about film; a film about drugs; a film about film as a drug; a film that deserves to be better known. Audiences will recognise many of Almodóvar’s collaborators from his earliest works (Cecilia Roth, Eusebio Poncela, Luis Ciges, Will More; Ángel Luis Fernádez is the dop) and the voice of Almódovar himself. A genre film that transforms into an auteur film. A film of the Movida and a film of the transition. A film that embodies and evokes one era but that gained traction in another. A cinephile’s film about addiction where one delights in being bitten by drugs and cinema even as that bite becomes transformative and potentially deadly. An avant-garde experiment encased in a genre film. A trawl through the underground that aimed at the mainstream. A film to see and discuss.
First Impressions: Thinking Aloud About Film
What does a Film Programmer do? I talk to James McEvoy to find out what programming the Warwick Arts Centre cinema, a three screens-cinema, based on a university campus but also serving a local and regional audience, involves. Who is the audience and how to build new ones is part of the conversation. We touch on Flatpack, the MAC, the Mockingbird, Square-Eye TV, Lock Studios, Steven Knight, the Forward Film Festival. James tells me about licenses and knowing who holds the rights to a film, which is sometimes confusing while underlining he is uninterested in gate-keeping, actively seeking collaborations and stressing the importance of getting the word out
We spend a considerable time discussing the exciting new programme: there will be live opera and theatre projections; BFI funded seasons; the opportunity of seeing films financed by Netflix on a big screen. Programmes to look out for are the Silent Cinema screenings with live accompaniment, the melodrama season, Richard Dyer speaking on Brief Encounter, and more.
Each year there’s an over-arching theme across the whole of the Arts Centre. This year the focus is on care. The film programme component is called is ‘Handle with Car,’ with a substrand on Cozy Classics, which will involve screening a classic film once a month. There will be tea and biscuits – feel free to BYOB (Blanket not Booze) -- an opportunity for people to get together and see things on a big screen. The Arts Centre will also be bringing its 35mm projector back into action for November screening of Cinema Paradiso. Part of another strand of the Care programme is ‘Care Behind the Scenes,’ co-programmed with Dr. Alice Pember and Dr. Julie Lobalzo-Wright, which will also have workshops as well as screenings (e.g. intimacy co-ordination’).
The Programme will include Accessible and Inclusive screenings as well as Audio-Description (for first time at the Art Centre) and there will be some workshops attached to this strand as well.
James stresses that the programming also takes on board an exploration of the local and the national with focus on independent and locally made cinema and with filmmakers holding Q&A’s when possible.
It all looks very exciting.
Check out the programme here:
https://www.warwickartscentre.co.uk/whats-on/cinema/
José Arroyo
