In this episode of film.macht.kritisch., I pay tribute to Frantz Fanon (1925–1961)—psychiatrist, anticolonial writer, and revolutionary thinker—on the occasion of his 100th birthday. I explore how his thought continues to echo in cinema, especially in the tradition of Third Cinema, and invite you to consider how films can not just represent but intervene. Themes of this episode include: A concise overview of Fanon’s life and core texts (Black Skin, White Masks; The Wretched of the Earth) A clear unpacking of Third Cinema and its call for film as cine-acto—a political gesture that compels us to act Close readings of two key works: Gillo Pontecorvo's The Battle of Algiers (1966) and Isaac Julien’s Frantz Fanon: Black Skin, White Mask (1996) Three Fanonian threads across the films: the “white mask“, the veil, and anticolonial violence, and how each interplay with form and subjectivity Why Fanon still matters: watching these films asks us to work actively—doubt images, decode ideology, feel the pressure of the colonial, racist white mask, recognize the contested sign of the veil, and test the justifications for violence Re-watch these films with Fanon in mind: they demand more than passive viewing. They demand analysis, feeling, and political imagination. All key findings from this episode are derived from my 2012 essay “The Battle of Algiers and Frantz Fanon: Black Skin, White Mask as examples of Third Cinema and Frantz Fanon’s influence on it“ (Goldsmiths College, University of London).