Film Jive adopts an informal, autodidactic approach in considering the interdisciplinary aspects of cinema, and more specifically, its relation to philosophy, literature, music, and politics. Through this path of inquiry, the show attempts to generate discussion and sonic experiences which imagine new forms of cinema and continue to locate linkages between seemingly disparate threads of cinematic thinking.
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Film Jive adopts an informal, autodidactic approach in considering the interdisciplinary aspects of cinema, and more specifically, its relation to philosophy, literature, music, and politics. Through this path of inquiry, the show attempts to generate discussion and sonic experiences which imagine new forms of cinema and continue to locate linkages between seemingly disparate threads of cinematic thinking.
As a result of the enduring Covid-19 pandemic, the ticking of the clock no longer seems actual in any remote sense. We have collectively entered recursive time loops, fractals and spirals where the measurements of time; seconds, minutes, hours, days, weeks, months, etc. are little more than an afterthought. An intersection of present and future has been crossed where memories are no longer composed of fragmented pasts, but of viral futures.
This episode is a psychogeographic sonic collage composed of field recordings, original music, poetic recitations, fireside readings and found audio materials which were imagined and composed during this ever-evolving temporality of quarantine by a variety of artists and thinkers. It is a podcast composed in and for the present, wherever it can be found.
[0:00] Noelle Richard, Nico Ciani - Radical Uncertainty
[3:27] Zach Betonte - Gilles Deleuze, “Difference and Repetition”
[7:41] Jesse Tinsley - Sizzling Trout Field Recording
[8:56] Peter Carellini - Early Morning Blue
[10:18] Simone Barros, Zach Betonte - Black Lives Matter Protest Refrain
[11:37] Zach Betonte - Paris Metro Field Recording
[12:05] Harry Corbissero, Zach Betonte - The Ogden Tapes [Excerpt I]
[19:36] Jesse Tinsley - Ambient Birds Field Recording
[20:01] Zach Betonte - Bleached Cassette Tk 1
[22:23] Simone Barros, Zach Betonte - Black Lives Matter Protest Refrain
[23:01] Simone Barros - Don’t Dream Soundscape [Ambient Edit]
[28:05] Zach Betonte - Gilles Deleuze, “Difference and Repetition”
[31:57] Jesse Tinsley - Ambient Wind Field Recording
[32:21] Zach Betonte - Bleached Cassette Tk 2
[35:21] Simone Barros, Zach Betonte - Black Lives Matter Protest Refrain
[36:06] Zach Betonte - Times Square Covid-19 Recording [Bleached Edit]
[39:03] Patrick Murray - Dylan Thomas’ “The Hunchback in the Park”
[41:12] Jesse Tinsley - Ambient Waterfall Field Recording
[41:44] Ronald Walter - The Memory
[46:18] Simone Barros, Zach Betonte - Black Lives Matter Protest Refrain
[47:02] Jesse Tinsley - Ambient Stream Field Recording
[47:23] Harry Corbissero, Zach Betonte - The Ogden Tapes (Excerpt II)
[56:52] Thijs Geritz - Acoustic Escape
[01:07:25] Zach Betonte - Gilles Deleuze, “Difference and Repetition”
[01:08:46] Zach Betonte - Skype Call Distortion
[01:09:46] Simone Barros - In Calendar
[01:14:45] Tyler Etters - [Untitled]
Film Jive
Film Jive adopts an informal, autodidactic approach in considering the interdisciplinary aspects of cinema, and more specifically, its relation to philosophy, literature, music, and politics. Through this path of inquiry, the show attempts to generate discussion and sonic experiences which imagine new forms of cinema and continue to locate linkages between seemingly disparate threads of cinematic thinking.
